Wednesday, November 8

Lee's Way - Interview with Jamie Bamber

Source: Cult Times Magazine

Last season Lee Adama was given his own command. This season, explains Jamie Bamber, he has to demonstrate why...

What a long, strange frakkin' trip it's been. Nearly four years ago Jamie Bamber arrived in Vancouver, British Columbia, a stack of UK film and television credits to his name - most notably several Hornblower specials - and set about filming Battlestar Galactica, a mini-series for The Sci-Fi Channel. No one expected anything much, frankly. After all, it was purported to be a dark, dark spin on a classically bad, supremely cheesy show from the 1970s, and that 're-imagining' of the source material infuriated old-time fans who were hoping to see a continuation of the original series. Cut to the present. Battlestar Galactica is widely considered one of the finest shows on television, Sci-Fi or otherwise, and Bamber is deep into his third full season playing Lee Adama, arguably the show's heart and soul character.

"It is crazy," Bamber acknowledges. "Every now and then we get nostalgic and we think back to when we first landed in Vancouver. When I first got here I'd never seen the place before. Now it seems so long ago and so much has changed, and we've come so far and made all these little stories. At the beginning I remember thinking, 'How do we do this week in and week out? How do we make this story of Galactica? What's going to be interesting?' We're still finding things and it's still surprising me, and I think I've been prouder this season of the things we've done than anything else. That's amazing in itself, to make a TV show that's constantly stimulating us - and hopefully the audience too."

When first introduced back in the mini-series, Lee Adama was presented as a Galactica fighter pilot and captain living under the shadow of his father, then-Commander William Adama (Edward James Olmos), who's trying to lead some 50,000 Humans on a frightfully bumpy ride through Space to a mythical promised land called Earth. Lee routinely clashed with his father, danced around a romance with Starbuck (Katee Sackhoff) and tried to kick Cylon butt, and he did it all fuelled by a combination of adolescent rage, desire, jealousy and fearlessness. As Season Three begins, however, a year has passed since the events of Season Two. Starbuck is married to Anders (Michael Trucco), Lee, now commander of the Pegasus, is married to Dualla (Kandyse McClure), and he's put on lots of weight, the result of being stuck - in more ways than one - on his ship.

"At point A, he was pretty mixed up about who he is and the life that he's been brought up to lead," Bamber notes. "He was a bit lost, to be honest, as to what he wants to do and who he wants to become. And now, as I speak, he's a man who knows who he is. He knows what he's got to offer. He understands his dad. He still has issues, but he sees his dad as another man and can relate to where he's been. And now he's a man who's deciding what he's going to spend his life doing and what his legacy is going to be and where he should exert his energies. So he's at another cusp, another turning point, another junction. He's commanded a battlestar and he needs to decide what ambitions he has and where he wants to put all of his energies."

Read the full interview in Cult Times #134

Newshound: SciFi

Cable Star Fades in Network Fight

Source: TV week

Competition From Broadcast May Explain 'Battlestar's' Slip


n the weeks leading up to "Battlestar Galactica's" third-season premiere, the debut seemed like a slam dunk to set Sci Fi Channel records.

Shepherded by Sci Fi President Bonnie Hammer, the show has been hailed as a darkly sophisticated remake of the campy and short-lived 1978 original series. The most recent 20-episode second season averaged 2.3 million viewers, according to Nielsen Media Research. Though that was down from the 2.8 million of the 12-episode first season, media buzz about the show had been building throughout 2006.

Sci Fi was so confident in the show's success, the network scheduled the third season to debut Oct. 5, right in the middle of the broadcast fall season's premiere bombardment.

At first, "Battlestar" seemed to hold its own against the broadcast hype. Advance review copies of the first four episodes generated an unprecedented amount of preseason publicity, especially for a basic cable program. On Metacritic, a Web site that tracks reviews, "Battlestar's" third-season premiere was averaging a score of 94 out of 100 points, behind only HBO's "The Wire." "Battlestar" even made the cover of Entertainment Weekly, a Sci Fi Channel first.

Then came the ratings.

The third-season debut was down 29 percent among total viewers compared with the season-two debut in July 2005. Viewership for the first four episodes of the new season is down 20 percent compared with the first few episodes of season two.

A likely culprit for the decline of "Battlestar" was the start of the broadcast season Sept. 19. After experimenting for a few years with rolling shows out more sporadically, this year broadcasters came out guns blazing during an intense, short period with a barrage of shows, many of which were lavish serialized action-dramas-just like "Battlestar." Making matters more interesting: Two of the season's breakout dramas, NBC's "Heroes" and CBS's "Jericho," have sci-fi themes.

Cable networks traditionally don't run original dramas in fall out of fear of getting trounced. In recent years cable networks have become bolder in scheduling their strongest programs against broadcast competition.

Sci Fi Channel's other current drama, the freshman series "Eureka," also took a fall. The show debuted in July and was averaging 2.8 million viewers for nine weeks, then dropped an average 30 percent to 1.9 million viewers for the most recent four episodes.

The lesson: Fall is still the domain of broadcast.

"It's a mistake to premiere shows against network premieres," said Tim Brooks, TV historian and Lifetime's executive VP of research. "The fact that all the broadcast networks premiere their shows against each other is the greatest gift broadcast has ever given to cable. Why would any cable network fly straight into that?"

Sci Fi executives declined to comment. A network spokesperson noted that due to "Battlestar" the channel is having its best October ever.

Ironically, going into the fall season, "Battlestar" had a higher awareness than "Heroes," media consultant Rusty Mintz said.

Sci Fi Channel even helped build interest in the NBC show by airing "Heroes" episodes as part of NBC Universal's cross-platform strategy.

"Hindsight is always 20/20, and clearly in their minds there was a sound logical strategy for diverging from prior rollouts," Mr. Mintz said. "In this case, whether it's hubris or boldness, however you want to define it, it's understandable and essential to keep on pushing in order to compete in a nonlinear world."

This year, not only "Eureka" but Lifetime's "Angela's Eyes," which also debuted in July, saw a sharp average decline once the broadcast networks started rolling out their new season lineups. "Angela's" averaged 2 million viewers in its first nine episodes, then dropped an average of 41 percent since the start of the broadcast season.

Still, the news hasn't been all cable carnage and is not likely to ward off completely cable premieres in the fall.

VH1's reality show "The Flavor of Love" is thriving. And FX's "Nip/Tuck," which premiered Sept. 5, is enjoying a comeback. The show is up 7 percent among total viewers and 6 percent among adults 18 to 49 compared to season three.

"Everybody here was worried when we decided to debut `Nip' in the fall; it's always a risk," said FX spokesman John Solberg. "But the show has survived and grown."

Edward James Olmos Overwhelmed by Battlestar Galactica Third Season

Source: TV Zone

Admiral Adama swore to protect his charges but then had to leave them behind. Now he’s dealing with the consequences.…

Edward James Olmos is all smiles this particular Tuesday morning as he steps into his trailer on the Vancouver set of Battlestar Galactica and spends a few minutes speaking with his assistant Joseph before sitting down to chat. The actor is dressed in casual attire and looking very unlike his military alter ego of Admiral William Adama. In just an hour, though, Olmos will change into his costume, walk onto set and re-enter the Galactica universe, where art is imitating life even more than ever this year.

“I just finished speaking with a reporter from USA Today and she’s been blown away by the show’s third season,” notes the actor. “She said, ‘I have to tell you, it’s so relevant and poignant that it’s scary.’ And she’s right. I mean, the first five episodes of Galactica this year are just incredibly difficult to watch. You start to realize that what you’re watching is much more than a TV series, do you know what I mean? It becomes more of a commentary on this real world that we’re living in right now, so you’re sitting there thinking, ‘Wait a minute, I know where they’re going with this.’

“Our characters, the Human beings, are becoming the suicide bombers. It’s like what’s happening today in Iraq, Afghanistan, Israel, etc. In our show, we see how people can do something like that and why. They’re killing not only the Cylons, but their fellow Humans who have, in fact, been collaborating with the enemy. For example, you have Colonel Tigh who has lost an eye after being interrogated and tortured by the Cylons. You see what he has to do to his wife Ellen, who chose to become a collaborator, albeit in order to save his life. Everything that happened to Tigh is really unsettling, and where his situation goes and how it evolves is quite intense.

“I’m very pleased with this year of Galactica. It’s probably one of the most exciting seasons of TV I’ve ever worked on. I’m overwhelmed by it, and it’s flying by. Everyone, the cast as well as the crew, is stunned at how fast it’s going, but we don’t stop to think about that because we’re so wrapped up in the storytelling. It’s early October and we’re already on our 15th episode. We only have five more to do after this one. It’s so sad, especially in that we’re creeping closer and closer to the end. There’s the dimmest of lights at the end of the proverbial tunnel. I’ve tried to convince The Powers That Be to slow things down a little, but one of these days our characters are finally going to locate Earth.

“In my mind we could go on for 15 years with this series and commenting on the world we live in. It’s extremely hard to find the vehicles that can do it as well as Galactica. It’s entertaining and has its moments of levity, but in essence it’s still a very strong look at what we’re doing to ourselves as a race.”

Tricia Helfer Talks Battlestar Galactica

Source: HNR

Battlestar Galactica actress Tricia Helfer recently sat down with Canada.com to discuss not only the extraordinary success and socio-political relevance of Battlestar Galactica, but also her new affiliation with XOXO wines of Canada.

"I’m definitely becoming more passionate about wine over the past few years and it's something my husband and I enjoy together," Helfer explained at the XOXO launch in Toronto last month.

"It’s something I’m very interested in and I tasted the wine and I just thought it was an exceptional wine for the price that it is."


Helfer lent her name to XOXO wines, from Canadian vintner Andrew Peller Limited, a decision in which her husband, Hollywood entertainment lawyer Jonathan Marshall, played a role.

"I just thought that there’s a good market for it – the way they’re marketing it to people who’ve got a sense of style and want something that’s nice but don’t want to spend a fortune every night to have a bottle of wine with their dinner."

Meanwhile, discussing Battlestar Galactica, Helfer was careful not to reveal too much about the rest of season three, instead choosing her words carefully and acknowledging the series' exploration of geopolitics.

"I think it's something that (the writers) dabbled with the first season that really hit a chord with people," Helfer told the news organization. "We kind of keep expecting, 'Oh, it’s maybe going to back off a little bit,' but no, we’re going full steam ahead.

"I think that’s one of the reasons the show is so successful – because it does hit a chord, it does make them think, but at the same time it’s fantasy. You’re in space and it is entertainment. It’s entertainment that hits you to the core and that’s kind of hard to come by."

Helfer promises Battlestar fans will get more insight into the Cylon world this season, something fans caught a glimpse of in last week's episode, "Torn".

Tuesday, November 7

Ron D. Moore Gives Progress Report For Caprica

Source: Sci-Fi Pulse

The proposed Prequel series Caprica has not yet gotten a ‘Greenlight’ though scripts are ready and some are even in the process of being re-worked. Ron D. Moore recently gave Dreamwatch magazine an update on the prequel series, which is still in development.

“It’s actually a prequel, and this would be a one hour pilot not a mini – series. It takes place 50 years before the events of Battlestar Galactica and it’s essentially about the creation of the Cylons.

“It’s a very different show; it’s not action – adventure and it’s not even in space. It takes place on the Planet Caprica and it’s more of a family drama, with political and corporate intrigue. We’re well into the writing of it actually; we’re doing re-writes on the script right now and Sci Fi has been very happy so far. At the moment, we’re just waiting to see if they greenlight it or not. Generally, there’s always a two step process: there’s ordering the pilot and then there’s ordering the series, but because we’re not designing it as a mini – series, I don’t know that anybody would even see the pilot if they chose not to go to series with it.”

Moore is very quick to dispense allegations that Caprica will be the same as his take on Battlestar.

“Tonally, it will be very different,” promises Moore. “This is Caprica before the fall. It’s a decadent world, but also a world that’s going at a very fast pace. It’s a prosperous society that hasn’t experienced the devastation of the first Cylon war yet, so this culture has really not been taken down a peg, and their hubris is getting the better of them. It’s a go – go society that’s teetering on the brink, so it’s not that apocalyptic survival scenario of Galactica. The whole thing is tonally very different.”

As to if Caprica will get the greenlight remains to be seen but according to an article in the New York Post scripts for the new show have already landed squarely in the laps of Sci Fi Channel executives so there is no doubt that we will know one way or another within the next month or so.

You can read much more of what Ron Moore had to say about Battlestar Galactica’s 3rd season and Caprica in the new issue of Dreamwatch which is out now in all good news agencies throughout the UK.

SEASON 3 -- ''Torn''

Source: IF Magazine

Well, things just keep getting more and more interesting on this show. BSG is consecutively one of the best-written dramas on TV with unexpected twists and turns happening in almost every episode.

Is Batlar a Cylon? Probably not, or if he is, it’s certainly the easiest way to keep him in the series as a pivotal bad guy if they need to kill him. All of the revelations on the Basestar between Baltar and Six have been quite enlightening. So the Cylons live in a constructed fantasy world where they project what they want to see so they can be at peace and happy. Machines with a need for creature comforts, who knew?

Lucy Lawless was particularly bitchy in this episode. Be honest, how many of us watching just love to see her get down and evil? I think that this role/roles (since every model of Cylon has multiple versions) has opened a whole new acting door for our favorite Miss Xena. Not only is she proving on BATTLESTAR that she can be sexy, evil, and intelligent, but there is also a sort of underlying scared vulnerability to the character that only cracks to the surface every so often.

Colonel Tigh, how many times can this man get wasted before he suffers alcohol poisoning? Tigh is at his best when he is drunk and belligerent, and this episode had plenty of that. I can understand why he has all of these messed-up emotions regarding New Caprica, but he’s the one who made the decision to put Helen down like a mad dog. She’s probably a Cylon anyways. Think back to the first season conversations when she turned up suddenly alive after the initial Cylon attacks. So we may be seeing more of her.

It’s interesting as well in this episode to see just how far Baltar will go for self-preservation. Killing a number six model, even if she had brown hair was a bit of a cross over to the dark side for the former president/good doctor. His stubborn refusal to tell the Cylons about the canister on board the infected Baseship leads me to believe that the rest of his time with the Cylons will not be as comfy as it has been to this point.

Plus in this episode the fourth type of Cylon, the Hybrid was introduced. DUNE fans raise your hands if you thought the Hybrid was basically a Guild Navigator. This newest model Cylon that folds space and controls the day-to-day functions of the massive basestars is a truly disturbing cyborg creation. More machine than human, and the fact that the TRON MCP line “end of line” was used more than once was a geek moment to savor.

All of this ends with Athena (the new Boomer on GALACTICA) finding the remains of the Cylon basestar infected with the virus and making some Biblical quote right before the dreaded “to be continued” that this series is so good at doing. It keeps me tuning in that’s for sure!

Sackhoff Shoots, Scores In Sentinel

Source: SciFi Wire

Battlestar Galactica star Katee Sackhoff told SCI FI Wire that she signed on for her latest film, the upcoming SF-action film The Last Sentinel, because it was a fast, down and dirty shoot, as well as an opportunity to perform many of her own stunts. "The Last Sentinel is a small independent film that I got excited about because Jesse Johnson is the director," Sackhoff said in an interview. "He's a second-time director, and he's a stunt coordinator with a huge list of big-box-office action films on his resume. And it was basically a film where I got to do a lot of my own stunts and a knife fight and got to spend a couple of weeks in the desert freezing my butt off."

The Last Sentinel also stars Don "The Dragon" Wilson, Stephen Bauer, Keith David, Bokeem Woodbine and Nils Allen Stewart. Sackhoff said that the movie is not far removed from Battlestar Galactica. "In an apocalyptic society, the human race is being wiped out by robots, like droids," she said. "And there's a resistance. My character is part of the resistance. But the character is different from Kara Thrace. Kara Thrace knows how to do everything, and she does everything, and this is a character who's not as capable. She didn't choose to go into the military. She felt if she was going to survive, she didn't have a choice. Since she doesn't really know what she's doing, she's just kind of flying by the seat of her pants and hoping that she doesn't die, which was kind of fun to play."

Sackhoff added: "It was fun. It was fun to do a little independent film and have to be there every day. It definitely knocks you back down a peg or two and reminds you of what it was like when you first started in this business. People weren't running around and trying to accommodate you. So it was pretty interesting. I had a great time."

Sackhoff said that she particularly enjoyed the fighting scenes. "We went through so much ammunition on this job that I was blown away," she said. "I constantly had a machine gun in my hands, and that's the stuff that I love to do. My agent-manager is like, 'OK, we need to find you a nice little romantic comedy where no one dies, you're not covered in blood the entire time, you're not dirty, and you have no guns.' I said, 'OK, that sounds good to me.'" The Last Sentinel is in post-production, with an eye toward a 2007 release. —Ian Spelling

Matt Roush on BSG

Source: TV Guide

Question: In Monday's Ask Matt, someone was asking about Battlestar Galactica's ratings and what the chances for a fourth season will be. How do you think DVD sales factor into the equation? BSG airs and we watch it, then it comes out on DVD, and we run out and buy it. Heck, they even got us to pay two times for Season 2, because they didn't release the entire season in a single set. Does that money factor into the decision to keep producing the show? - Rick


Matt Roush: Are you kidding? Damn straight, it does. A revenue stream is a revenue stream, and as I noted in the last panicked Battlestar exchange, you can't underestimate the importance of corporate synergy in cases like this. NBC Universal produces and owns the show, and airs it on one of its key cable assets. The fact that shows like these are big DVD sellers only contributes to the bottom-line wisdom of keeping it alive as long as it's viable.

But keep in mind this point, brought up by Patrick of Columbia, South Carolina: "I'm wondering if Battlestar Galactica's storytelling might best be served by going the Babylon 5 route: a beginning and an end in five crisp seasons. It seems like a stretch, no matter how critically acclaimed it might be, to think BSG will last beyond five years, anyway. That said, the third season has been spectacular, thus far. You think?"

Yes, I think. This has been a thrilling and daring season, so politically provocative and emotionally riveting. Amazing, amazing stuff. I don't know exactly how many seasons ahead they've plotted out for this, and I'm reluctant right now even to consider there being an end point. But Patrick is probably right: A show like this shouldn't be expected to last indefinitely, and as I've said before, if the producers and the network can agree to wrap this story in a way that meets both of their needs while satisfying the audience, there's no reason for us to be greedy about it. I still wouldn't worry about cancellation at this point.

Newshound: SciFi

Then Pick Up This Gun and Shoot Me

Source: TV Guide

BSG is great TV. I would say it's one of the best, if not THE BEST drama on TV right now. Heroes is my favorite NEW show of the season and I will always look forward to a new Lost. But BSG is such an amazing and solid show that it leaves me so fulfilled every week.

Halfway through the show I looked at the time and had seen we only had half a show to go, but strangely I felt that if the show would have ended right here, at the 30 min mark I'd still be happy and content with this episode. What BSG does that is so amazing is that it tells a serialized soap opera style drama, but each episode and story is almost semi contained. That it has a beginning a middle and an end.

Episode Recap

This week's episode was called Torn and we dealt with more direct aftereffects of the Cylon occupation of New Caprica and the ensuing rescue. We see Starbuck and Col. Tigh drinking themselves silly in the rec room and poisoning the Galactica crew against each other. They are making anyone who wasn't in the ground war on N.C. out to be the enemy and "not good enough" to be around. Adama goes down and basically tells them to shut up or leave. Adama tells Tigh that he should either shoot him or go back to his room and don't come out until the man i knew for 30 years can come back out. Tight tells him "Bill, then I won't be coming out because that man no longer exists", wow, how true, this war has finally put Tigh through his last emotional straw. What we see following this ultimatum is Tigh retreating back to his room and getting even more stinking drunk. On the other end we see Starbuck cuts her long hair, presumably a remainder to her days being stuck with Leobon. Then she suits up, and goes to meet with Casey and her Mom who had stopped by earlier only to be told to leave and not return by angry Starbuck.

Starbuck needed to hold Casey in her arms and work through the emotion of thinking that this little girl was her daughter. I hope that they continue to have a relationship and that this precious little girl helps starbuck find herself again and allow herself to love again. Wonderful contrast and I'm glad we have the old Starbuck back. I know she will still be scarred but I think she is a strong character and she will rebound quick.

On the Cylon basestar we see that the Cylons have decided they want to call Earth their home as well and they are giving Baltar a chance to live by helping them find Earth. At first he denies knowing what they are talking about but once they threaten him with death we see his will to always live and sruvve shine through, just as Geita had said, and he offers up everything he knows abotu Earth to the Cylons. It all goes back to a blinking star and a lions head (Leo constellation?) but when the Cylons base star that gets sent this to investigate comes back broken and sick they realize that an old Earth satellite (beakon?) which the Basestar brought aboard has given the cylons a virus which could potentially wipe the entire Cylon race off the map.

Some interesting questions were brought up this week.

Maybe Baltar really is a Cylon? What he does by seeing Six all the time is called Projection, something that only Cylons do.

Who sent that beacon/satellite from Earth? Maybe some Cylons already did visit Earth at some point and the humans there figured out how to to kill them and sent this virus into space in the hopes of preventing more Cylons to return one day.

Will Sharon (Athena) get sick now from being around that basestar?

When the humans realize that they have this virus they will of course have to decide how to use it. But could this be the perfect opportunity to force a peace between the Cylons and the humans? What if they humans tell the Cylons that they may be able to cure themselves through the blood of the hybrid baby? Would that even work? What will happen?

Newshound: SciFi

Monday, November 6

Capsule Review: Battlestar: Galactica 305

Source: Battlestar Blog

As if addressing the question of whether or not the series could still delve into creative territory while maintaining a strong and consistent story arc, this episode manages to switch between traditional storytelling elements and a more surreal, dreamlike quality. Unlike the previous episode, which introduced a number of plot elements that find deeper expression in this installment, there is a distinct difference between the Human and Cylon worlds.

The Human world is stark and unrelenting. In particular, Kara and Tigh have come to the conclusion that anyone and everyone is fair game for their general hostility. In particular, they have little patience for their rescuers, and they have no problem speaking their mind. It’s clear that they are transferring their anger and self-loathing on the rest of the crew, and while the crew sees it for what it is, it’s always hard to ignore that kind of constant negativity.

Ultimately, Kara and Tigh are forced to take a good look at their psychological damage, and they react in very different ways. Kara seems to recognize that she’s spiraling out of control, and she takes the first step towards recovery. It’s unlikely to be a simple healing process, but she’s in a better position than Tigh. Tigh, however, is still falling, and there’s no telling how long it will take for him to hit rock bottom.

At the same time, Roslin and Adama finally turn back to the search for Earth. This introduces an odd plot device in the Scroll of Pythia. If they’ve always had an ancient document detailing the journey of the lost 13th tribe, why haven’t they been referencing it previously? There’s some indication that the scroll was considered a myth, and that Baltar’s research pointed to a possible translation of metaphor, but why wouldn’t anyone have thought about this?

The Cylon world is depicted in a more non-linear fashion, focusing on the idea of “projections”. They tie this idea into Baltar’s imaginary trysts with Caprica-Six, and Baltar begins to wonder if he’s a Cylon. At the same time, he learns that the seven known humaniform models of Cylon don’t talk about the remaining five, and that the Basestars have a “hybrid” processing core.

Homages to “Babylon 5” and “Minority Report” aside, this brings up an interesting philosophical question. It’s almost certain that Baltar is human. It’s also been shown that the Cylons have been incorporating organic components into their ships since the beginning (the raider in the first season comes to mind). The “hybrid” could very well be a human mind conditioned and modified to run the Basestar “ecosystem”, blurring the edges between Human and Cylon even more.

As seen in “Downloaded” in the second season, the Cylons are particularly concerned about models that are “too human”. What if the unseen five models were “boxed” for becoming too human as a whole? Better yet, what if the Cylon culture is fractured? The current seven models would represent a slim majority, and perhaps they advocate elimination or control of the Colonists. What if the remaining five are a vocal minority opposed to the war with Humanity? They could still be back on the Cylon Homeworld. In fact, this could explain why the current seven models are looking to Earth as a new home; they may not be welcome on the Cylon Homeworld anymore.

The idea of a computer virus attacking the Cylons is a bit cliché, but the treatment of it works well enough. It does seem odd, however, that the Cylons would suspect treachery on Baltar’s part. If they recognize that the 13th tribe passed through that area of space thousands of years earlier, how could they expect that the beacon was designed to attack them specifically, when the Cylons have only been around for a few generations? This does touch on the whole “this has happened before and will happen again” concept, but it seems like an odd bit of logic.

Overall, enjoyment of this episode depends largely on acceptance of the surrealism of the Cylon portion of the story. I felt that it worked well, glossing over the fact that the Cylon culture could only be shown from a human perspective and through Baltar’s mental filters. There are a number of intense moments in this episode that help keep the shift to the search for Earth from feeling like too much of a tonal shift, but it remains to be seen if the new details about the Cylons will help or hurt the series as a whole.

(As a sidenote: I also have a podcast associated with my various reviews called “Dispatches from Tuzenor”. Current episodes cover “Battlestar: Galactica”, so it might be something of interest. Go to http://entil2001.libsyn.com if you want to listen!)

Sackhoff Screams In Noise 2

Source: SciFi Wire

Katee Sackhoff (SCI FI Channel's Battlestar Galactica) told SCI FI Wire that she signed on for the upcoming supernatural horror film White Noise 2: The Light because it presented a chance to play a character as far removed from her day job as ace fighter pilot Starbuck as possible. In the film, Sackhoff plays a nurse named Sherry, whose life is saved by a man (Serenity's Nathan Fillion), who, having cheated death himself after his family is murdered, helps those about to die.

"I don't think she is anything like Starbuck, and people are going to see a different side of me," Sackhoff said in an interview, laughing as she described her character as close to a damsel in distress. "We were shooting this scene in a parking garage, where Nathan's character, Abe, saves me. I was getting attacked by a mugger, basically, and I'm getting pulled into this van. And I was like, 'This is so weird to me. If this was Battlestar Galactica, I would just drop-kick him. I'm having a really hard time doing the whole damsel-in-distress, screaming thing.' But, obviously, I figured it out, because, by the end, I couldn't talk. My voice was gone. So I figured out that screaming thing."

White Noise 2 is the sequel to the 2005 original, about a man who begins to hear and see images of the dead in the static of electronic devices. The sequel is "a great story," Sackhoff said. "It's all about death's design and when it's your time to go and what you have to do rectify the situation when you get saved. It's very interesting. I haven't seen it yet, but I've heard great things about it, and I'm just really, really excited to see it. I can say that if it's as good as it was when I did the [dialogue looping] for it, it's going to be pretty good." White Noise 2: The Light will be released in early 2007. —Ian Spelling

Saturday, November 4

Divided We Fall

Source: TV Guide

I am so glad that Adama went down to the pilot's rec room and put his foot down. I thought for sure that the internal struggle, between the humans on New Caprica during the occupation and those who had stayed aboard with the flight crew, was going to go on for much longer. But Adama's no nonsense speech to both Starbuck and Tigh, who had been poisoning the crew was incredible. "One of you, I don't care who. Pick that weapon up and shoot me... I didn't say to talk. You've done enough of that already… what's the matter? No guts? You don't got a pair? You are both frakking cowards." To Kara specifically: "You were like a daughter to me once — no more. You a malcontent and a cancer. I don't want to have you on my ship. Figure out how to become a human being again and an officer or you can find another place to live off of this ship. You're dismissed." Harsh, but necessary. He wasn't much kinder to Tigh, "You are full of bile and hatred and I know that has something to do with Ellen and I'm sorry for that. If you need time Saul, you take all the time you need, but I've got to run a ship and the last thing I need is a one-eyed drunk sitting down here sewing seeds of discontent and disobedience." Phew.

Kara actually seemed to take his advice. Especially since the younger Adama had already ripped into her earlier. "If you want to die, I'll open up an airlock for you, but you are not taking one of my vipers with you." So she went and cut off her long locks that had grown during the occupation and actually went to see Kacee. I hope that somehow Adama's advice makes it so that Starbuck can get her life back on track. I understand that being tortured and captured by the Cylon's wasn't easy on her mentally but I want her back kicking Cylon butt and taking her anger out on the "people" who really deserve it, instead of the flight crew who wanted nothing more than to save those down on New Caprica.

Tigh on the other hand seems to be drinking himself to death. I can't imagine that is what Adama had in mind for his right-hand man, but if Tigh's imagining Ellen's voice in his head then he might be too far gone to help.

Every week I am more and more amazed by the depth of emotions that this show is able to convey. It is truly impressive and just one of the reasons that I enjoy it so much. Another big reason that I'm hooked: the twists and cliffhangers.

What is going to happen to Sharon, aka Athena? Was she exposed to the same virus that had killed all the other Cylons on that base ship? Or was she feeling somehow drawn to the base ship because she is still a Cylon? I so can't wait to find out, but I really like the concept of a Cylon being able to find love and work with the humans, that I hope that this isn't the end for her.

Then there is Gaius. Six hit the nail on the head when she said that he had an amazing capacity for self-preservation. He will do anything to stay alive, that alone should have made him realize that he isn't a Cylon. Most Cylon's understand that they'll be downloaded and reincarnated so dying is rarely an actual death. I did think it was cool that he was wondering if he was a Cylon and how Six actually laughed at the idea. I wonder what her reaction will be when she discovers that he strangled another Six, and lied to the Cylon council?

I do wonder a lot about the other five Cylon models who we've yet to see who the seven existing models "don't talk about." Have they been "boxed" or are they just cylons who haven't been activated yet? And if someone aboard Galactica is a Cylon and doesn't know it, who might it be?

And how cool was the hybrid? Her oracle like abilities were interesting, and really cleared up in my mind how the old-school cylon's became the human models we know now. There is a stepping stone in between them. Makes a lot of sense. Small details, like the pulsing red light on the base ship being an actual pulse, and the Cylon council using their hands to "work" the computers, really do a lot subtly to help my mind understand this far-out concept.

By the way, I'm all for the projecting, but was it really necessary to have the Six that lives in Baltar's mind wearing a bikini? Nevermind, that's a rhetorical question. I'm sure the guys out there were as happy about that as I was seeing a slimmed down Lee shirtless. This show really does have something for everyone.

Battlestar Galactica: Torn Review

Source: TV Squad

Well, here I am watching the episodes live with the rest of you. And you know what? It feels good! Now I look forward to every week where there will be a new episode instead of lumping a bunch into one season. There's something to be said about pacing oneself.

Dear lord (lords?), what an opening. Does anyone get tired of seeing Number Six scantily clad, let along on a beach? Though it's about time that Baltar questions the vision of Number Six that plagues his thoughts, both in dreams and seemingly in reality.

I love that Baltar starts things out by doing exactly what Gaeta says he's good at: finding a way to self preserve. "Earth? What Earth?" "You're going to die." "Oh THAT Earth! Why didn't you say so?"

DAMN it was good to see (a thin!) Apollo and Starbuck back to old tricks, wasn't it? Chief and Callie back in the pit. A newly populated Galactica. By gods the writers for this show pulled off what many thought was a hell of a risky move at the conclusion of last season.

Is Baltar a Cylon because he can "project" himself into a different reality in his mind? Here's my theory -- somehow he's directly related to the one responsible for creating the skinjob Cylons, and that person molded the whole "projection" notion onto his own creation. I'm sure I have no idea what I'm talking about, but that's how it's feeling to me up to this point.

Another fantastic conversation in this episode was Baltar's questioning about the final five Cylon model's we've yet to see. Number Six says they "don't talk about them," so does this possibly mean they're rogue Cylons, ones who've gone about on their own and who are against the beliefs of those we already know?

I could definitely see Tigh being relieved of duty in the near future because he's got some big nasty ax to grind. Finally Adama does put him in his place, but will he listen?

Definitely an interesting look into how the other side lives ... and relives. Everything is so closely connected, including the Cylons with perhaps their own base stars. Everyone and everything is aware of everything else.

So, was the disease-causing device found on the Cylon base star an old satellite sent from old Earth? Voyage or Voyager II perhaps? And now we know that possibly Earth carries diseases that would mean the downfall of Cylons? If so, this is definitely an interesting development.

I'm sorry, but I liked Starbuck with the long hair. I mean, it's great to see yet another moment from the past make it into this season (like Saul's going back on the sauce, for instance), but I liked that change.

From what it looks like for next week, the humans board that derelict base star. What will they find from that strange artifact brought on board?

Friday, November 3

Tonight on Battlestar Galactica

Source: Buddy TV

Tonight marks the second episode since the liberation of New Caprica. As the Battlestar Galactica crew tries to cope with over crowding, Starbuck has a run-in with Casey and her mom. Baltar questions his humanity as the Cylons bicker over whether or not to keep him alive. A Battlestar Galactica scouting crew finds possible evidence of a "road" to earth. All may not be well for the Cylons who seem to have developed a mysterious disease. Gaeta briefs Adama on the depths of Baltar's deceit.

Thursday, November 2

Pak's Plan: Greg Pak Talks "Battlestar Galactica" Comic

Source: Comic Book Resources

To some "Battlestar Galactica" is a campy '70s TV show that lasted only one season. To others, it's a fantastic and highly successful re-imagining of the same show for today's more demanding audience, now airing weekly on the Sci-Fi channel. And to others still, it's a highly successful comic book from Dynamite Entertainment, written by Greg Pak, author of, among other comics, "The Hulk" and "X-Men: Phoenix Warsong." With the latest issue #2 of "Battlestar Galactica" flying off the shelves, CBR news spoke to Pak about his involvement with the comic book to see if he, like the Cylons, has a plan.

Greg Pak is something of an enigma in the comic book world due to his unusual background. He didn't start out writing comics but instead, started as a film director. The story of how he got into comics sounds rather simple when he tells it, but his story is far from simple and one that many other struggling comics writers must surely envy, if only just a little. "I'm a filmmaker by training - probably best known for my feature 'Robot Stories.' At the time my film was hitting theaters, my agent sent the screenplay to Marvel. The editors there apparently liked it, and a year or so later I was writing comics," Pak told CBR news.

Because of his background as a filmmaker, Pak approaches writing his comic book creations in a very visual way. This ability allows him to communicate in a great deal of detail with the artists working on the "Battlestar Galactica" comic book with him. "I tend to put a ridiculous amount of detail into the scripts about the panels and blocking and layouts. And then the artists make it their own. Sometimes they'll draw things pretty much the way I've described them; usually, they'll get inspired and make it much, much better," said Pak. These skills learned as a filmmaker also serve him well when writing the book. "On a purely aesthetic level, writing comics and writing films are very similar undertakings. Anyone who's good at one has mastered skills which will be helpful in tackling the other," said Pak.

So does Pak have any advice for filmmakers or other aspiring comic book writers on how to get into the comic book writing business? "I think all writers have a little man inside. We want to ignore him, because he's telling us what's wrong with our work, and that's never pleasant. But we have to listen to him and work as hard as we can to take his advice, because that's the only way to get better," said Pak.

As for his involvement with Dynamite Entertainment and the "Battlestar Galactica" comic book in particular, like many other things in his career, Pak came to the project in an indirect way. "Nick from Dynamite actually called me about a different property. But once he let slip that he had the comic book license for the new 'Battlestar Galactica' series, I couldn't stop thinking about it," said Pak.

Pak's vision for his "Battlestar Galactica" story contains all of the usual characters made so popular by the current TV series and will take place in the same universe and timeline as the show. Apollo, Adama, Starbuck, Col. Tigh, President Roslyn and most of the other characters all appear in the comic but here will be one or two surprises for readers as they turn the pages each month. "We're staying absolutely true to the BSG world. The comic book series fits right into the continuity of the show, telling an untold epic story that provides new angles on the characters and themes we all love. Our biggest 'new' character is actually a character who died before the events of the series ever began -- Adama's son Zak," said Pak.

How much did Pak know about the original "Battlestar Galactica" or the new series before he came aboard the comic book? Was he a fan or was it another case of happenstance? The answer is simple and will surely please hardcore fans of the show - Pak is one of you and a huge fan. "I loved the original series when I was a kid and totally got hooked on the new series from the first five minutes of the first hour of the miniseries." And because Pak is such a fan and knows how important things like continuity and staying "true" to the "Battlestar Galactica" world is to the legion of his fellow fans, he will take a great deal of care to stay within the rules established by the show and Executive Producer Ron Moore.

How will he make sure this happens? By talking to the people at Universal and Sci-Fi Channel in charge of the show and even going to the man himself and getting his blessing. "When I first came on board, we had no idea what kind of story Universal would approve. So I just watched and re-watched all the episodes that were out at the time and created a story that followed up on the elements I found the most moving and compelling. And, amazingly, when it came time to talk with Universal, they approved everything. I had the chance to have one great conference call with Ron Moore - he asked us some key questions and made some key suggestions and we were off to the races," said Pak.

Pak summed up his experience so far working on the "Battlestar Galactica" comic book and dealing with Universal, Sci-Fi Channel and Ron Moore this way: "I'm loving it. Working on the 'Battlestar Galactica' comic has been a total dream - every one of my crazy ideas has been approved."

Much like the Cylons, it looks like Greg pak does have a plan for the comic book version of the hit TV series "Battlestar Galactica." And even though there are many copies of the Cylons, there's only one Greg Pak. The good news is that's all we need.

Newshound: SciFi

'Galactica' taps Holocaust for occupation inspiration

Source: Jewish Journal

SciFi Channel's "Battlestar Galactica" is a far cry from its short-lived bubblegum progenitor on ABC, which sought to capitalize on the "Star Wars" craze in 1978. The reimagined series is one of the few dramas on television to deal directly with issues tied to the Iraq War, and its edgy storylines often serve as allegory for life after Sept. 11, much in the way "M*A*S*H*" plots tackled topics brought up by the Vietnam War.

Now in its third season, the critically acclaimed "Galactica" is drawing more inspiration from the past, and executive producer Ron Moore says that recent Shoah parallels are intentional.

"In the writers room, we tend to talk about Iraq, Vichy France, the Holocaust," he said. "It just kind of depends which particular historical examples are on point, and which one kind of lends itself most easily to a particular situation."

The original "Battlestar Galactica" debuted as an intergalactic retelling of the Exodus from Egypt, with Jewish actor Lorne Greene playing Commander Adama, a Moses-like figure who leads the 12 Colonies (read: tribes) away from the tyranny of the robotic Cylons to the promised land: Earth.

In SciFi Channel's grittier retelling, the Cylons look human and have embraced a rabid belief in the "one true God," which is at odds with the Colonial polytheistic faith in the Lords of Kobol, a pantheon of Greek gods. The Cylons' religiously inspired nuclear jihad in "Galactica's" 2003 miniseries was followed by a Josef Mengele-inspired hospital in season two, and season three kicked off with the Colonials enduring a concentration camp existence, complete with a Judenrat police force and liberation through a Warsaw Ghetto-style uprising.

Given the stress the Colonial survivors have been under, Moore said the solid fabric of their society's religious identity is about to begin unraveling.

"After the destruction of the Colonies and the fact that they're all on the run, they would probably be driven back to their root faith, so polytheism would really be important to them. But as time goes on, some of them would start to track to the idea that there is just one God," he said.

Moore and the show's other writers played with the idea of introducing a religious rift in season two, but he said the storylines were either cut or changed.

The series won a Peabody Award this year and has earned eight Emmy nominations. Time magazine and the American Film Institute have each praised the show, which balances character- and issue-driven plotlines with vérité-style handheld camerawork and stunning special-effect sequences that serve the story rather than vice-versa.

Following the critical success of "Galactica," SciFi Channel has commissioned a spin-off prequel, "Caprica," which will focus on the lives of two families a half-century before the Cylon attack.

Moore said that the 12 Colonies likely had a wide variety of faiths before the events of "Galactica," and that while polytheism was always the dominant culture, there were probably pockets of monotheism.

"Some of the things that are happening in 'Caprica' would deal with the religious aspects, as well, and you'd start to see some of the beginnings of the monotheism that eventually is taken over by the Cylons," he said. Religious iconography and ritual have played a small part in "Galactica," from worship idols to candle-lighting. But whether we'll see a monotheistic Colonial wearing a tallit and kippah as he davens or a family dining in a small hut during a Sukkot-like holiday in "Galactica" or "Caprica" is still up in the air.

"We haven't talked in great detail about how much of that practice we'll see or how strongly it'll influence the series overall. It's probably an element that's in there somewhere," Moore said.

Newshound: SciFi

TV Fodder: Battlestar Galactica: Collaborators

Source: TV Fodder

The humans have escaped the Cylon rule but are dealing with the emotional carnage left behind. Let's just say things are a little tense. This episode wasn't the roller coaster thrill ride of Exodus, but if all the episodes were like that we'd eventually get bored of that too. It was a good, hard look at post war human nature, though. I'm sure all those folks out there who say that "Battlestar Galactica" is an allegory on the Iraq war will continue to find more comparisons.

I must apologize for the long delay in this post. I was in seclusion in the remote Blue Ridge Mountains of North Carolina (about a 1000 miles from home), recovering from last week's episode. Ok. Maybe not exactly in seclusion per se, but it was remote and there was no cable or internet access. I was dying without my BSG!

So let's get on with the discussion of "Collaborators."


Collaborators: Episode 3.05

Justice comes to Jammer

Anders, Tigh, Tyrol, Connor, Seelix, and Barolay (aka "The Circle" ) have hauled Jammer into a dark, isolated place on the Galactica. They remove the hood from over his head and rip the tape from his mouth - he have obviously shanghaied him from some other part of the ship. As he kneels on the floor with his hands bound behind him, they read a list of charges against him - treason and crimes against humanity. He helped the Cylons kill humans. He has been found guilty. Jammer pleads. He says he helped lots of people - including Cally. He quickly describes to Tyrol how he let her go when the Cylons were going to execute her. Tyrol acknowledges that Cally got away somehow, but doesn't know what to think of Jammer's story. Tigh asks Tyrol if freeing Cally - even if true - makes up for the deaths of more than 23 people, including Connor's seven-year-old son Kevin. Jammer continues to plead his case, but doesn't do a convincing job.

So, on this, the 3rd day of the Second Exodus, the sentence is death. Jammer repeats over and over "I'm sorry! I'm sorry!" It does no good. The Circle has gone into the adjacent control room. Connor hits the button as Tyrol looks away. They watch through the glass as the launch tube doors open and Jammer is sucked out into space (slamming into something along the way that hopefully either knocked him out or killed him before he hit the vacuum of space). Anders is disgusted. "This isn't what I signed up for," he says and exits. Tyrol is obviously disturbed by Jammer's execution.

Afterwards, Tyrol returns to Cally and his son. Waking her, he asks how she escaped from the Cylons on the planet. Did someone help her? Drowsy, at first she says no one helped her, but then she rouses a bit and recalls more clearly. Someone did let her go, she said. She hadn't thought about it since it happened. "How did you know? Why do you ask?" she asks. Tyrol tries to shrug it off, focusing on the baby. He knows he just killed the man who freed his wife. A man who was also under his command before settlement on New Caprica. Poor cute Jammer. Well, if he is a Cylon, maybe he'll turn up again. Only the members of The Circle know what happened to him.

According to the credit scroll, the population is 41,435. (Is that pre or post Jammer execution?) It's a loss of 8,115 people since "Lay Down Your Burdens, Part II," the Season 2 finale.


Baltar and his best buds the Cylons

On Colonial One.... or what appears to be Colonial One, we find ourselves in a weird fantasy world where Baltar is imagining a meeting with Adama, Tigh and Roslin. He is being forgiven for his cooperation with the Cylons. "It was an impossible situation. The past is the past," they say. Then, Fantasy Six in her Ace-bandage style red dress enters and calls them all fools. "They can't hear you," Baltar says to her. "Don't make me angry," she returns. "You wouldn't like her when she's angry," Adama follows, indicating that they can hear her quite clearly. Roslin moves in on Baltar. He realizes it's a dream, but before waking Roslin gives him a big wet one on the lips.

Baltar wakes in a red and blue flashy room. A Cylon "red eye" the length of the wall pluses behind him. He's naked and has been sleeping on a cushy chaise lounge. He finds a fluffy white robe and dresses. The door to his room is open, but a Centurion stands guard menacingly. The camera pulls back and we see that Baltar is on one of five Basestars grouped together with a resurrection ship close at hand.

Later, D'Anna enters looking smug. She hands him some pills that he's obviously glad for. It's most likely a refill of whatever he was popping on New Caprica to get him through the day. Interestingly, she's trying to be all slinky and sexy. What? Does she want to mate with the token human? Baltar as sex slave to these hot Cylon babes would be way too good of an end for him. Ick. D'Anna tells him that there's been some controversy (she pronounces con-TROV-ersy) about him being allowed to stay. As with The Circle on Galactica, life hangs in the balance of a vote. Three models are for him staying. Three are against. She says that one model is still thinking - the Sixes are undecided. (Only seven models are voting? What about the others? Why are some excluded and others not?)

After some pills and another long nappy poo, Baltar wakes with a start to Caprica Six looking over him. She tells him that she has to stop caring for him. She sacrificed everything - even killed another Cylon - and for what? "I'm Cylon and somehow I lost sight of that," she says. Baltar, knowing his fate rests with her, says "You're more than a machine. You're a real person. A woman. You're in love with me and it hurts. I know it hurts. But, believe me, I'm the only one who can make it better!" Six simply says, "This has to end," and walks out. Baltar chases after her. "You need me!" he says. He runs to the door, but is blocked by the Centurion. "I need you too!" Baltar yells. He turns back to the room and mutters to himself, "Maybe I should have started with that." Hmm. Ya think?


Dissention in the ranks

On the bridge of the Galactica, Gaeta enters and looks around. Admiral Adama has ordered him there to help fix the communications that were damaged during the pounding the Galactica took by the Basestars. Tigh sees him and begins to rage. Helo tries to intervene, telling Tigh that Gaeta is there under Adama's orders, but Tigh all but lunges for Gaeta's throat. He even asks Gaeta to go back and get his eye back from the Cylons! Adama cuts off further ranting by yelling Tigh's name. He asks Tigh to go for a walk with him. Tigh complies. Adama urges Tigh to get some sleep, but that further angers Tigh. "Sure. Go to sleep and forget. I won't forget!" he growls defiantly at Adama - loud enough for the entire bridge to hear. Adama orders him to get some sleep. He goes, still growling. Somehow, I doubt he went to bed.

Later, we join The Circle voting on the fate of another collaborator. They vote her (Chadwick on the Monarch) guilty and have 57 more suspects to review. Seelix says they have "people" on the Monarch who can take care of her. Connor says that they're all guilty in his mind. Tigh slams his head into the table. "We're not a bunch of thugs! This is about justice!" he says. He lets Connor up. As Connor rubs his neck, looking pained, Tigh says "Don't get me wrong, Connor. I like you." (Yikes! I'd hate to see what he'd do to someone he really hated.)

The group opens the file on their next suspect. It's Gaeta. Tigh says he hates to consider Gaeta - they served together for four years on the bridge, but Gaeta was chief of staff to Baltar. He worked for Baltar and the Cylons. Tyrol and Anders are the naysayers here. They have no specific evidence that he did anything wrong. All they have is the fact that he worked for Baltar. Tigh pulls out the execution list and points out that Gaeta was included on its distribution list. He knew about it and who was going to be executed - and did nothing. To them, seeing a list like that and not doing anything about it makes him guilty.

Connor calls the question of Gaeta's guilt to The Circle. They vote. When it gets to Anders, he announces that he quits. He's not abstaining from the vote - he's quitting all together. "The war is over for me," he says. Well, they're in a quandary now. Tyrol refuses to cast his vote because he says that they need six. Them's the rules. They need to find someone else to add to the jury. Until then, it doesn't matter how he votes. Connor resists, but Tigh agrees. They need six.


Gaeta meets The Circle and Kara unravels

In the mess hall, Gaeta sits alone eating. All the other tables are filled with folks talking then looking at him. Nearby, Kara throws a few death glares his way. She gets up and joins him at his table. She baits him into a conversation about what happened on the planet and lays into him about doing nothing to help her during the four months she was locked away. He says he didn't know about her "situation" but he did what he could to help. He quickly rambles on about being the informant that helped the resistance, leaving important docs and turning over the dog bowl. "Well, you're a fraking hero then, aren't you?" Kara hisses. He says nothing. From behind Kara we see that Seelix has been observing this interaction closely. She knows who should be the next member of the jury. If Anders won't do it, then his wife - full of rage and hate - will do just fine.

We rejoin The Circle in their meeting room. They are describing the jury duties to Kara. Most notably, they explain how their actions are completely legal. It's been sanctioned by President Zarek (as former VP he took the office in Baltar's absence). There's a document and everything that approves their actions. They show her the evidence against Gaeta. She quickly returns a guilty verdict. It's now up to Tyrol to decide. Anders enters the room and interrupts. "I have to talk to my wife," he says. Kara has already cast her vote, so they let her go.

Anders tries to quickly explain why he left the jury and that he thinks what they're doing is wrong. "Someone has to pay! You can get with it or get lost," she says. Well... then there's the big question for these love birds. "Do you want me to leave?" Anders asks. Earlier, she pulled away from him and refused his affections. She obviously has grown cold, distant and even hostile. "Things are different now," she says. "I look at you and I want to tear your eyes out for looking at me. I want to hurt someone and it might as well be you, so you should probably go before that happens." He's obviously crushed. He pulls out her dog tag - the one she gave him on Old Caprica as a promise of her return and her affection. "I don't want this any more," he says and starts to walk away. She pulls him back and kisses him. They say nothing and she returns to The Circle. Anders watches her go, then turns and walks in the opposite direction.

Back in The Circle's meeting room, Tigh is preaching the virtues of executing those who have betrayed them. He mentions Ellen and her betrayal. "The price of collaborating is death," he says. "Ellen had to die and I liked her more than I like Gaeta." Tyrol tries in vain to argue that it was Baltar and not Gaeta who did these things. Tigh simply returns that a lot of people died because of the both of them. Tyrol, beaten and without any new persuasive arguments, capitulates and says "Fine. Guilty."

Without delay the group moves on Gaeta. They jump him in a corridor and drag him to the fateful airlock. Seelix reads the charges against him. Gaeta looks around at his executioners, taking it all in. They ask if he has any words in his own defence. Tyrol begs him to talk. Connor rages again. They want to hear him plead and beg. "What's the point?" Gaeta responds defiantly. "I've already tried to explain it," he says looking at Kara. "I'm not going to beg." The group moves towards the door and the control room. Kara boils over. Kicking him, she screams at him to beg. She wants to take her rage out on someone, but she wants that someone to beg for mercy that she will happily deny. "Tell them about how you helped them. Tell them how you were working for the Resistance the entire time. Tell them about the dog bowl!" Kara snarls. Tyrol's ears perk up. He runs back to Gaeta and demands he tell him more about the dog bowl. Gaeta FINALLY relates his role as the informant to them. Tyrol cuts Gaeta's wrist shackles. When the others protest, he explains that the only other person who would have known about the secret dog bowl signal and the messages left is THE informant. "He's the reason we know about the death lists. He's the reason I saved Cally. He's the reason we're on this ship. There's our source!" Tyrol says, pointing at Gaeta. Everyone is stunned and shaken. Gaeta slowly gets up. "I did what I could. I don't know what else I could have done," he says quietly as he carefully leaves. The Circle looks shell shocked. Their rush to "justice" almost lead them to kill their most valuable ally. Kara stomps out. No blood for her today.

Later, Kara goes to her locker to change. Hanging from a center hook she finds her dog tag and Anders' wedding ring. He has left them for her - a symbol that he is doing what she wanted and getting lost. Meanwhile, Gaeta finds his Colonial uniform hanging on his locker. (Was it left by Tigh or just under Adama's orders?) He heads to the mess hall and eats alone again. Tyrol - with his head down like a repentant dog - joins Gaeta. They eat in silence.


The brief rule of President Zarek

Yes, Zarek is president. Disturbing, no? He knows he can't hold the power, though. He doesn't have Adama's support. In fact, he knows that Adama will likely throw him in the brig rather than let him hold the office. Zarek tells Roslin that he will appoint Roslin Vice President, then step down, allowing her to take the office. Roslin is suspicious of Zarek's motives so she tells him just to put his cards on the table. He wants to continue as the VP. He wants her to appoint him once she's the president. Roslin says that Zarek's bravery in standing up to Baltar on the planet - almost at the cost of his own life - has not gone unnoticed. They will need brave people like him. She tells him the VP slot is his if he wants it.

Meanwhile, on the Galactica, Apollo (still wearing the chubby suit) tells Adama that a rash of missing person reports have been coming in. These aren't folks left on the planet. These are confirmed survivors who just vanished. Thirteen of them thus far - including Jammer. (Note: According to the Podcast, Chadwick, the woman convicted in between Jammer's execution and Gaeta's aborted sentencing, was executed. That means the count is 14.) Adama tells Apollo to keep him posted. (They don't know about Zarek's orders to The Circle.) Apollo gets up and leaves, saying he's got a date with a jump rope. Adama looks up at him. "Keep jumping," he says.

Later, Adama and Roslin are on Colonial One with Zarek. "What the hell is this?" she demands, waiving the Presidential order for The Circle's executions in front of Zarek. (We don't know how she found out. Anders, perhaps?) Interestingly, Zarek - himself a former convicted prisoner - describes The Circle as the best form of justice. The accused can't work the system and drag out a trial that would consume the fleet. He believes that neighbors would turn against neighbors and chaos would ensue. "Do you want to spend your next term as executioner and chief?" he asks.

Finally, Roslin is sworn in again as president. As always, she makes a rousing speech. She tells how the entire fleet wants justice and vengeance for what happened. "But none of us can be impartial," she says. No one can really receive a "fair" trial in these times. So... she's decided to appoint a commission on Truth and Reconciliation. There will be no prosecutions of those who are suspected of collaborating with the Cylons. With a broad sweep, she issues a general pardon for every human in fleet. "It's the only way for us to move forward in a spirt of healing and reconciliation," she concludes. Adama stands and claps loudly. The rest of the room stands and joins him. Even Zarek, who seemingly nods with understanding and approval, stands and applauds.


Observations, Thoughts and Questions

Is Anders part of the Galactica crew now? Was he only on the Galactica because of Kara? If so, now that they've broken up, will he get to stay? He'd certainly make a valuable officer. His work with the Resistance should at least get him a bunk on Galactica.

Speaking of rank, how will the pecking order be sorted out now that the Pegasus is gone? Apollo, though still a Commander, seems to be doing mostly book keeping. Tigh seems to have resumed his spot as XO on the Galactica. What does that mean for Helo? What about Duala?

What's with the Cylons voting on Baltar's fate? Why are only seven of the twelve models voting? What about the others? Why aren't they voting? Why is Six reevaluating her relationship with Baltar now that she has him all to herself? Is it another case of you no longer want what you were chasing once you've gotten it?

Does Roslin's fancy "general pardon" include Baltar? Even if it does and he makes it back to the fleet somehow, I doubt he'd live long among the general population. Adama would have to put him in custody just to protect him from Tigh or Kara alone.

Finally, will there be some form of legal sanctions against The Circle for their actions? Zarek was working against the constitution of the Colonies by giving the order. Does that mean he and/or The Circle will be held accountable for the deaths of the 14 folks who vanished?


The next episode, "Torn," airs November 3 at 9pm ET.

Newshound: SciFi

Sirtis Hopes To Appear on BSG and Play Callas

Source: Trek Today

Marina Sirtis (Troi) conversed with fans on such disparate subjects as her desire to appear on Battlestar Galactica, a script she is writing with former co-star Michael Dorn (Worf) and how unimpressed she was with the way William Shatner (Kirk) treated fans at an event the two of them attended.

In a chat room at her official site, Sirtis thanked fans for gifts, said that she would soon be visiting Greece to see her brother and explained that she was sorry to miss the Las Vegas Star Trek convention, but she wanted to see her family and it was the only time for a reunion. She added that she was not planning to dress up for Halloween - "I dressed up for work, so I don't dress up in life" - and that she never celebrated Halloween when she was in school because it's not a big holiday in England.

Sirtis remains close to several of her Next Generation co-stars, joking that she needed to call Patrick Stewart (Picard) to tease him about having a bus named after him, but she sees Dorn particularly often, since the two are writing a screenplay together. "Dornie and I are working on a script about Maria Callas right now," she explained. "I've always wanted to play Maria Callas, and I had tried to pitch it to people, but then I realised if I wanted to do it, I'd have to do it myself." She finds many similarities between her own life and that of opera star Callas, "and of course we're both Greek, and I kind of look like her."

Dorn, she added, is playing in a Van Halen tribute band called Panama. "He's David Lee Roth and played the House of Blues of Anaheim," she said. "Maybe we can get Creation to book Michael's band at one of the conventions."

Sirtis also revealed that she hoped to appear on the revival of Battlestar Galactica in the current season, saying, "My agent called Ron Moore and he said he'd look out for something for me next year." Her work on the television production of Grendel with Chris Bruno and Ben Cross is finished, she added, but post-production on the project is not yet complete. "There's alot of CGI," she explained. "When I looped Grendel I saw some of the scenes and it does look amazing."

Sirtis laughed about the fact that Shatner gets paid more than she does for conventions, but said that she felt Shatner should have been more polite to fans at a recent European convention, "since he was charging $40/70p per autograph." Many actors forget that their roles are what made them famous, she pointed out, saying, "I'm sure everyone has their own Shatner horror stories." She watched his roast on Comedy Central, but felt that some of the guests were "a little too cruel especially to the other guests like [George Takei (Sulu)]."

As for her own experiences with celebrities, Sirtis said that when she met the Star Wars and Indiana Jones star, "I only said two words to Harrison Ford because I was really nervous. I'm as starstruck as the next person when it comes to my favorites."

Newshound: SciFi

Nicki Clyne answers fan questions







Source: Nicki Clyne fan site

General Fan Questions:

(1) Fans recognized you from a music video called, "The Laws Have Changed". When was this done and how did you get involved with that project?

As far as I can remember, we filmed this video in the midst of filming the Mini Series. I met the New Pornographers through a friend and once I heard their music and the concept for their video, I basically threatened them until they let me be in it. You see, I’ve always wanted to be a rock star, but I’m lacking a certain, ahem, talent. So faking it in a music video was the next best thing!

(2) Does your personality mirror "The Laws Have Changed" music video and Tiki Bar (dance) rolls? Are you playing a character or playing yourself?


I’m definitely playing a character: in “The Laws Have Changed,” an mtv-style pop idol and in Tiki Bar, an innocent space invader with pointy ears. But my personality does shine through in roles like that because they’re mostly just about playing and having fun; two things I enjoy doing very much… along with dancing, of course.


(4) What is your most memorable or favorite acting job, outside of Battlestar Galactica?

The most memorable so far, not only because it is the last job I did outside Galactica, was filming the movie “Totally Awesome” last fall. It’s coming out on November 7th to DVD. It was one of the funniest scripts I have ever read and it was really great to do a comedy, which I’d never really done before. It was also a welcome change from the high stakes on Galactica. My only concern now is that I’m being typecast as a grease monkey.
(Just watch the movie and it’ll all make sense).

(5) What kind of movies and TV programming do you enjoy?

I don’t end up watching a lot of television, but I absolutely love watching movies… Stanley Kubrick is one of my all time favorite directors, along with David Lynch and Martin Scorsese. And currently I’m a huge fan of directors like Michel Gondry, Quentin Tarantino, Alejandro Gonzalez Inarritu, Darren Aronofsky and Alfonso Cuaron. If you haven’t seen “The Science of Sleep” yet, go see it! It’s incredible.

(6) Are you aware that many fans affectionately associate corn muffins and the phrase "corn muffin goodness, with Nicki Clyne and Cally in particular?

I have heard of this phenomenon… I figure as long as it has the word ‘goodness’ in it, it’s fine by me. My agent actually received a package with corn muffin mix inside it! I don’t think it weathered the postal service very well, but I appreciate the gesture.

(7) Have you ever visited the Nicki Clyne Fan Board (or any other board) and read what your fans have to say?

From time to time, I’ve visited links that friends have sent me or read things about my character online, but I try not to get too distracted from what my job really is, which is to perform. That, and it’s no fun reading the not so nice comments that appear. I do want to pay tribute to all the fans though, for being so thoughtful and dedicated. It is such a joy to do what I do, but to see how the effects of what I do play out in the world is truly an honor.

(8) Have you ever heard of the Internet fan base awards called "The Golden Toaster Awards"? Did you know you won "Best Supporting Actress" for the second season of Battlestar Galactica? What are your thoughts on winning the online fan base awards show?

Yeah. That’s so great! Let’s see… “I’d like to thank my mom, my brother, um, my orthodontist (he made me promise)… and David Eick, for accepting the terms of my blackmail to put me in the show more.” But seriously, it’s really wonderful to be recognized by fans of the show and I can’t think of a better category to be honored in. I really appreciate it. So thanks!

(9) On Battlestar Atlantia, you talked about buying a motorcycle. Did you purchase one and most important, can you repair it?

Yes, I’ve had my motorcycle for about a year now, and I tell you, if only I knew how to repair it... It’s a 1968 and, sadly, it’s been calling the repair shop home these days. I had planned on learning more about repairing it, but somehow that hasn’t been a priority. So if anyone sees me stranded on the side of the road, just point and laugh and be on your merry way. Thank you.

(10) Do you have plans to attend conventions on the East Coast of the United States?

I don’t have any plans yet, but I do love traveling and meeting fans, so it is possible.

(11) Art Asylum, a toy and collectable manufacturer are creating Battlestar Galactica merchandise. Are there any "Cally" merchandise in production from Art Asylum or from any other company? How do you feel about becoming an action figure?

I wish I could answer the first part of this question, but I honestly don’t know anything about merchandise. And come on, who doesn’t want to have an action figure made after them? I think it would be so fun. I could finally beat up all those Barbies I hated when I was a kid in a fair
fight.

(12) Is there anything special or new on the horizon in your career you could officially share with your fans?

Not officially, but I can tell you that I’ve been too busy to work on any other projects this season. Whether that’s good or bad, well we’ll just have to see. I know I’m sure having a good time.



Battlestar Galactica questions:

(1) Where does Cally end and Nicki begin? How much of the character is script, and how much is your own projection?"

In a way, it’s all my own projection because it’s my understanding of the world that informs my choices. I may not be reacting in the same way I, Nicki, would under the same circumstances, but I’m imagining how Cally would choose to overcome her struggle, based on her values. It’s really quite an amazing process because I learn so much about myself through it.

(2) How much has Cally changed on Battlestar Galactica after becoming a Mother? How do you see your character growing in the third season?

Well she’s certainly GROWN since becoming a mother (insert pity laugh here). Sorry, bad joke. I think becoming a mother has really forced Cally to examine what’s important to her. All of what she was working toward got shifted when the Cylons attacked so she just did what she had to do to survive. But now she has much more to think about and harder decisions to make in regards to making a better life for her and her family.

(3) Is it hard to leave "Cally" at the studios after filming? What do you do for relaxation when you are not working?

I wouldn’t say it’s necessarily hard to leave Cally at the studios, but the role that I play on the show certainly plays into my daily life. I think about her a lot and try to consider what she would be going through and, of course, I feel the physical effects of running away from Cylons for twelve hours straight. I mostly keep myself pretty busy when I’m not working, but in order to relax I like to read and watch movies, see friends, travel and learn as much as I can about myself
and the world. Oh and I like massages. Massages are good for relaxation.

(4) What's it like to let your hair down and not have to wear a ponytail going into season 3?

It feels… good? I’m going to assume that was a metaphorical question and answer accordingly. I can’t tell you how great it’s been to explore the complexities of Cally that have been rather hidden from the audience until now. We get to see a side that isn’t just about work or survival and see what’s really important to her. Not to mention that ponytail isn’t the most flattering hairstyle.

(5) What's it like filming the webisodes?

It was like film school. We had such a limited time and budget that we all really had to band together to make it happen. And even though we were under such pressure to get it done, it felt like we got to play around more because we were a smaller team and the time wasn’t as costly.

(6) What were the reactions from the cast when it was revealed in the script that Cally and Tyrol would have a relationship and marry?

Jealousy. Pure jealous rage.

(7) How do they address Cally and Tyrol now? Galen was always known as Tyrol. Do the cast call Tyrol, Galen all the time? Is it weird calling Tyrol, "Galen"?

It is kind of weird calling him Galen actually. It’s an… interesting name. And I’m still Cally. If you don’t think about it too hard, it makes sense, trust me.

(8) Cally's baby is born by the time the webisodes start, 2 months after the season 2 finale when Cally was pregnant: when was he born, exactly?

How should I know? I just work here… No, he was born just after the finale. But I’m telling you, don’t think so hard about these things.

(9) What's Cally's son's name? How is it working with a baby on the set? Is it one baby, or do they use twins?

It’s so great, when he cries or poops, I just give him away and get a new one. It’s perfect! It’s honestly such a blessing because the baby really keeps Aaron and me on our toes. If he does something unexpected, we just have to go with it and make it work. When he was younger, we had a set of triplets that we’d use, but now that he’s a little older, we’re more consistent with just one baby; which I actually prefer because I get to know him better and see him grow.

(10) Why is Cally mildly friendly with Jammer now? You beat the frak out of him in "Resistance"

I think the idea of holding a grudge ceases to have meaning when you’re fighting for your life. Cally and Jammer have to work together and in order to do so, they must have some rapport. So they may have had disagreements and may continue to, but ultimately I think they recognize that they’re on the same team.


(12) You received a lot more scenes with Edward James Olmos in the second season. What was your reaction when you found out you had lines with EJO? Did it seem like Cally was stepping up into responsibility on the flight deck when the chief was away?


It didn’t surprise me at all that Cally would confront the Admiral when she had a problem. I don’t think she regards the hierarchy in the same way others do, and certainly not if it stands in the way of getting what she wants. It’s always such a pleasure to work with Edward so I’m excited whenever I get the opportunity.

(13) Is Galactica-Boomer (the one Cally shot) going to have a confrontation with Cally in season 3 and if so what was it like for you?

The cat’s out of the bag on that one. It was really great for me. It forced me to look back into all the things we’ve been through and see where we started. We’ve certainly come a long way and it’s hard sometimes to put it all into perspective.

(14) You said that being trapped on the Kobol set was a nightmare as it was exhausting and constantly raining. Is New Caprica filmed in the same spot of Vancouver? What was it like?

Did I really suffer that much about it? It wasn’t really that bad, it just added to the realism. New Caprica was filmed at a different location, but not so different in terms of fighting against the elements. Where we filmed was really sandy and windy. So it meant we also had to fight against the noise from the dirt bikers traversing the sand dunes nearby.

(15) What does the rest of the cast think of your characters popularity with the fans? Did this influence the writers to give you more to do?

Again. Jealousy. Pure jealous rage. I’m not sure if it influenced the writers, but it certainly couldn’t hurt. It seems like our producers and writers are very open in regards to reaching out to the fans and receiving feedback, so I’m sure they appreciate the support and discussion.


(16) Would you ever work fanfic into how you play Cally on screen? Leah Cairns, who plays Racetrack, said she read a fanfic story about Racetrack having a crush on Helo and actually worked that into her character...going so far as to convince Michael Rymer to actually film scenes of this for LDYB I (Which were deleted).

I haven’t read any. But never say never. Maybe if you guys start writing about me becoming the next president and being responsible for finding the way to Earth, I could work with that.

(17)Will Cally get more back story in Season 3?

You’ll see.

(18) Are you in the episode "Taking a Break From All Your Worries" that Olmos directed himself? What's it like being directed by him?

Unfortunately I’m not. I made him promise I would be in the next one he directs though. I’m telling you, “Cally and the Commander,” coming to a theatre near you.


End Of Q&A

Wednesday, November 1

Revenge runs through Galactica

Source: Huston Chronicle

So, did you sweat this one out?

You have to be impressed with the planning of the writers when you realize they set up this week's execution of Jammer way back in Occupation, the first episode of this season. They made him at once a traitor, duplicitous with both friend and foe, and yet sympathetic. All to set up this week's pay-off, that nasty scene in the airlock, and the subsequent suspense over Felix Gaeta. Knowing what happened to Jammer, we were not so sure Gaeta would survive.

(The credited writer of Occupation was Ronald D. Moore. This week was credited to Mark Verheiden.)

It was the most straight-line story we have seen so far this season, but unlike some of the "filler" episodes of mid-season last year, this one was strong, had excellent character growth or revelation, and gave us plenty to think about.

What appeared to be a Kangaroo court, led by Col Saul Tigh -- who has plenty of reason for seeking revenge on those who collaborated with the Cylons -- systematically went about executing those who had given comfort, or at least help, to the enemy. Some, besides Saul, had strong reason for revenge, including the loss of a son.

Turns out it was not an illegal court: It had presidential backing, given by acting president Tom Zarek. Zarek believed he was doing this to avoid complicated trials by circumventing established rights and laws. A swipe at President Bush, perhaps? Certainly a reminder of the currently controversial presidential decisions in dealing with accused terrorists.

Galen was our point of entry, the person through whose eyes we saw much of the story, as he struggled with his need for justice, and his sense that they might be doing some injustice.

Meanwhile, while the human race is dealing with its sticky issues, the Cylons are having their own court.

We get the amusing little dream of Baltar's, seeing himself dependent on those he betrayed. Unfortunately for Baltar, it's not the human opinion he needs to win. The vote to allow Baltar to stay with the Cylons -- the alternative seems all too obvious -- is deadlocked, with the number six models undecided.

By the way, did that room Baltar woke up in feel familiar? It reminded me of the antiseptic luxery room environment that astronaut Bowman wakes up in in 2001: A Space Odyssey.

The telling moment is when Number Six informs Baltar she has been wrong and needs to distance herself from him. In true Baltar fashion, Gaius tells her "You need me," only belatedly realizing that maybe what he should have said, to appeal to her so human emotions, was "I need you." Ah, Gaius, you are so, so Gaius.

Back on Galactica, we get to see some of the nastiest we've seen yet of Starbuck, ready to waste Felix, and anyone necessary, to get back some of what was taken from her on New Caprica. As always, Starbuck is determined to learn the hard way.

It looked pretty tight for Felix there toward the end. Especially since he seemed determined to help them along by refusing to explain himself. OK, in the movies it may be cool to be the strong silent type in times of adversity, but if someone every asks me for an explanation before they toss me out into space, I'm opening up and explaining myself even if it's the hundredth time.

Again, one of Galactica's more straightforward episodes in both structure and in message.

There's never been any question that Battlestar Galactica was thinly disguising comment on all kinds of contemporary issues, from abortion to torture. Here's a recent New York Times story that delves into whether that is good or not so good. See if you come to the same conclusion. You have to register to read it, but it's free.


by Louis B. Parks

Newshound: SciFi

Ratings: BSG's Year-to-Date, Couric's Latest

Source: TV Guide

To those who have inquired about Battlestar Galactica's ratings, I offer you this excerpt from a Sci Fi Channel press release:

"In its third season, Battlestar Galactica is getting younger and outpacing Season 2.5 by +8% among P18-34 and +35% among the P12-17 audience. It is also growing among the female audience, up +20% with F18-34, +20% with F18-49, and +21% with F25-54. To date, Battlestar Galactica's median age is 1.6 years younger than Season 2.5 (40.5 vs. 42.1)." Period.

More news on Battlestar Galactica spin-off Caprica

Source: TV Squad

A few more details have emerged about the Battlestar Galactica spin-off that's in the works. Don Kaplan of the New York Post writes that first drafts of scripts for the series, called Caprica, have shown up at the SciFi network's offices, and gets a few details from BSG creator Ron More on what the show is going to be about.

According to Moore, Caprica will take place 50 years before BSG and will be about the creation of the Cylons. The show will center around two families: one who owns the Microsoft-esque coporation that develops the Cyclon technology, and the family of Adama's father, a lawyer who starts to oppose the Cylons' creation. "It's a family drama and a political drama about corporations and politics. It's almost [more] like a sci-fi soap than it is an action-adventure series," Moore tells Kaplan.