Anatomy of a cylon

Source: Darth Mojo

It’s no secret that I’m the biggest fan of the original Battlestar currently working on the new incarnation; you could almost say I’m the “ambassador” of the 1979 version, always looking for opportunities to include classic Galactica material on the current series. It was maybe two years ago that I was talking to [writer/producer] David Weddle and hypothesized, “you know, if we ever did a flashback to the first Cylon war (maybe something that showed us what Adama was like as a young pilot), it would showcase the original hardware! Remember the miniseries museum scene?” He thought about it for a second and said, “yeah, I suppose you’re right.”

Of course, a flashback like that would be a wet dream for any fan of the original series, but would it ever happen?

Eighteen months later, Mr. Weddle came up to me in commissary and said, “Mojo, you’re going to get your wish.”

Anyone who’s seen Razor, (the BSG DVD project made between seasons three and four), knows exactly what he was talking about. Not only were we going to get a huge, all-out battle between original series spaceships, it was decided to go for broke and give the fans what they’ve really wanted to see - old school Cylons.

Yes, ladies and gentlemen, those chrome-plated, sword-wielding, skirt-wearing, “by your command” shouting robots were returning - and the visual effects team were going to make damn sure they came back ready to kick ass, take names and blow up the list of names.

Click the above link to see the rest.

Rekha Sharma Loves Being a Cylon

Source: Buddy TV

Unlike other cast members who have been disappointed to find out that their characters have turned into Cylons on Battlestar Galactica, Rekha Sharma seems to enjoy the twist in her character's storyline.

Sharma, who portrays Tory Foster on Battlestar Galactica, opens up to MediaBlvd Magazine about her recurring role on the science fiction series that has taken the center stage as she got to roll around with Baltar (James Callis), discover she's a Cylon and shot Cally (Nicki Clyne) out the launch bay.

“I think it's an actors dream come true to have something as crazy as to wake up and discover that you are the enemy that you have been fighting and fleeing, in a very literal sense. That's pretty mind boggling from a story telling point of view, and what you have to do an actor to prepare for that. Then on a metaphorical sense too, in the larger excitement of how awesome this is to tell a story in which we are telling the truth; that all of our enemies lie within. That quote, you are your own biggest enemy. What a wonderful metaphor to explore though the concept of humans and Cylons. It's such a great show, I'm such a huge fan of it, and it's ridiculous,” Sharma told MediaBlvd Magazine.

Prior to Battlestar Galactica, Sharma has appeared on shows like Da Vinci's City Hall, The Lone Gunmen, Smallville, John Doe, and Dark Angel. However, she particularly takes pleasure on her stint on the SciFi show where she gets to play the assistant to the dying president Roslyn (Mary McDonnell).

“It is great, because I've certainly done a lot of stuff that I don't love. But you've got to pay your bills. You look for art, and we're all trying to make art, but there are a lot of sketches before you get to a real masterpiece. And I feel like I'm working with Picasso right now. I'm no longer in the academy training. There's something really special going on in this show,” she explained.

Fans can catch Rekha Sharma on this week's episode of Battlestar Galactica in which bitter enemies must put aside their grudges as the Demetrius crew teams up with Cylon rebels to destroy a vital enemy target.

Eric Stoltz joins 'Caprica'

Source: Hollywood Reporter

Eric Stoltz has signed on to star opposite Esai Morales in Sci Fi Channel's two-hour "Caprica" pilot, while Frances Fisher has been tapped for an eight-episode arc on the network's "Eureka."

Alessandra Toressani also has come aboard the NBC Universal Cable Studios-produced "Caprica," a prequel to Sci Fi's "Battlestar Galactica." Stoltz will play Daniel Graystone, a wealthy computer engineer who, after an emotionally crippling family tragedy, uses his technological wizardry to forever change the future of Caprica. Toressani plays Daniel's daughter, Zoe.

Stoltz ("The Butterfly Effect") is repped by CAA and Helen Sugland at Landmark Artists Management.

Torresani ("Malcolm in the Middle") is repped by UTA and Elissa Leeds at Reel Talent.

"Eureka," from NBC Universal Cable Studios, returns for its third season July 29. Fisher will play Samantha Thorne, aka "the Fixer," a corporate titan who is brought in to clean up Global Dynamics.

The actress ("In the Valley of Elah") is repped by manager Tammy Rosen and attorney Dave Feldman.

Bear Mc Creary's BG Roxy Concert Footage on G4!

Source: Bear McCreary's Blog

G4.com is running exclusive concert footage of the recent Music of Battlestar Galactica at the Roxy Theatre! It features interviews with myself, singers Brendan McCreary and Raya Yarbrough, and our MC for the evening, Kandyse “Dualla” McClure. You’ll also hear clips from our performances of Fight Night and Roslin and Adama.

If this segment gets enough clicks, they’re ready to run FULL MUSIC VIDEOS of those two songs, so pass that url to your buddies!

And check out the absolutely stunning photographs from both concerts, as well as a full band rehearsal, from the lens of Andrew Craig, who does amazing work. These are some of the best pictures of our band ever taken:

We are in the process of putting together a video of the complete concert and the documentary we premiered. Fear not. You will all get a chance to see this thing. I don’t know how yet… maybe I can convince Universal to include it on the Season 4 DVD, maybe we’ll release it online, maybe I’ll burn DVDs myself and leave them at bus-stops. But, it will get out there, I promise!

In all seriousness, though… some enthusiastic noise from the fan community will really help get this concert footage on the Season 4 DVD. So, if you want to see this, help out by drumming up some support online.

Click this link to see all there is Bear McCreary's Blog

Galactica Station's Review of Escape Velocity

Gooby Rastor, encouraged by finishing the other review, finally catches up and reviews Episode 4.06, a week late.

Wow, after last week’s episode seemed determined to drag plotlines, kicking and screaming, as far as they could in ~40 minutes of television (to mixed effect), Battlestar Galactica really seemed content to let their storylines float along a bit in “Escape Velocity,” which winds up being rather inaptly named. Not that stuff wasn’t happening, but it kind of felt like an athlete running in place, and jumping rope, in preparation (one hopes) for running the mile. Since there’s a little bit of movement in so many places, let’s just hop in and I’ll try to keep the review from getting too disjointed.

The Final Four (less Anders) were up to a lot this episode, weren’t they? We had to know that there was going to be some fallout from Cally’s death, and we get to watch the (soon to be ex-) Chief beginning to lose it. And you know what? It works. Tyrol’s irrational behavior works for me in a way that Kara’s doesn’t this season. While Tyrol lashes out and gets himself thrown off the hanger deck by Adama, his motivation is always crystal clear. The man’s hurting from a number of sources, including his wife and Boomer (who knew he was carrying a torch?), the discovery of his nature and the questions as to what happened with Racetrack’s Raptor. Was it just stress that made him leave that relay in? Is this how things started with Sharon, too? All of this is conveyed with tremendous force by Aaron Douglas. As an actor, he seems to be getting the most mileage out of being a Final Five Cylon of any of them, which is a compliment to Douglas, not a slam on the other actors. Though I should mention that this quality is nothing new for Mr. Douglas. One of the things which the show has constantly been able to rely on, is that it can put Chief Tyrol into a dark place, and Aaron Douglas will chew up the scenery with it, in a very good way. From what I understand, he’s a very “in the moment” kind of actor too, which seems to serve him well. Bravo to Douglas. He’s one of the supporting characters whom I hope this show catapults to great fame and fortune; he deserves it. I could go on about all the ways I enjoy the Chief’s grief arc, but... oh all right, just a little bit. I loved it when Tyrol screamed at Adama, who honestly has never treated Tyrol all that well, I don’t know why. Chief’s mention of Bill’s promise to take Cally and shoot her if Tyrol and his men didn’t resume work (in “Dirty Hands”), was a welcome callback. Really, whether you agree with Adama’s actions or not, how does he think he can have a sympathetic chat with the man after that? Though of course Adama had to get Tyrol off of his hanger deck, and there’s no way he could have known all the inner turmoil of the man, it did seem awfully presumptuous, the way he seemed unwilling to let Tyrol grieve in his own way (despite his opening line that “no one knows how they’re going to react). When a man’s wife has died, you let him say whatever he wants to, you don’t try to shut him up. Clean up the mess later. “I’m sorry if I’m not going to do this the way you want me to, or the way you might.” You tell him, Chief, she was your wife.

Meanwhile, with Tigh’s scenes, we get a possible answer to a nitpick I had from the season opener. Now that Saul is hallucinating about dead Ellen, it becomes more possible, to my mind, that he’s engaging in a bit of toaster-style projection. If that’s the case, I’m willing to forgive the lapse of documentary-style shooting when Tigh dream-shot Adama in HTBiM. Tyrol, too, seems to have been engaging in the same, when we heard Adama casually mentioning Tyrol’s Cylon nature. Also of note, moving back to Tigh, is that he does mention to Caprica that Hera is on board, so we KNOW that the show hasn’t completely... no, no, Gooby. You had your Hera rant last episode, and this time they at least mentioned her. Stay on topic.

Right, sorry. Tigh and his Six scenes. Obviously, Tigh sees an opportunity in being a Cylon, just different from the one Tory sees. Tigh’s got a hunch that being a toaster means that pain has now become optional, if only Caprica can teach him the trick. Of course, this is also the time when Ellen’s ghost shows up to haunt Saul, spurring him on that much more. Ironic too, though not exactly out of character, that the first tactic which the Six tries to help(?) Tigh is beating him bloody. As an aside, I really like that they have Tricia Helfer showing Six’s glee at pummeling someone again. That model really likes doing that, ya know? It’s not a lot that we get with these scenes between Cylons, but they do seem to indicate where the character is headed, and that’s good.

Tory continues to have a character-establishment arc, involving such notions as her supplying Baltar’s notion of being “perfect just the way we are,” adopting the charming idea of turning off her sense of guilt, and possibly coordinating the attack on Baltar’s cult with the Sons of Ares. All right, I’ll admit that the last point is me extrapolating a bit, but what gave with her staring down Gaius after the thugs left? So we also see where she’s heading, but we knew that last week.

Baltar, on the other hand, I don’t know where they’re going with. I’ll admit however that right now, the Baltar storyline is the one that intrigues me most about this show, perhaps because I don’t know where it’s going, yet I feel certain that it’s going to go somewhere. This episode wasn’t just treading water with Gaius, either. At least, not as much as with the other plots. He rants à la Jesus in the Temple, and give a sermon which is sort of the opposite of Christian thinking, regarding how we’re all flawed creatures in need of God’s grace. Hm, if only there were a term which described a Christ-like figure, only the opposite thereof. Ah well.

Anyway, Baltar’s situation also gives us a glimpse into the incremental movement of the political plot, where Lee and the quorum refuse to roll over for Roslin, despite her invoking the memory of nine-elev—New Caprica, I mean. There’s some notes of the current U.S. political situation; with Roslin scoffing at the naïveté of the young idealistic Lee Obama, but the pace of this storyline is still more C-SPAN than anything else, and I don’t know that I see it changing anytime soon.

So let’s take a quick step back to a storyline that, as mentioned, seems full of steam. Virtual Six continues to build up Gaius’ image to her own opaque ends, even lifting the poor guy up and back into the tender mercies of an unsympathetic soldier. If there’s a Cylon on the show who still seems to have a Plan, it’s the devil in the blue dress. The writers have promised us answers to what exactly is up with Six, and at least she seems to be a pretty integral part of the story this year. Virtual Baltar on the other hand, still goes woefully underused. I’m starting to think that the writers didn’t really think through exactly how to use that character, and just decided to stick him in wherever they thought it would look cool... and that’s a bleeding shame, because when they first introduced him in “Downloaded,” yes it was cool, but it also seemed to enjoy a symmetry with Virtual Six’s actions. I’m pretty surprised that the writers seem to have some block regarding this character, but I don’t know how else to explain his disjointed, random appearances on the show.

And now the words I’ve been waiting to type all season:

Starbuck wasn’t in this episode.

Okay, okay, we saw her sleeping briefly. But no Crazy Kara to distract us tonight. I never would’ve thought it, but I needed a break from the girl. On the same note, nothing on the Cylon front to report, but it looks like Leoben next week, so... that might just have something to do with Kara. Yippee.

Oh, and? That shot of Racetrack’s Raptor taking off from the Galactica was pretty good-looking; and the crash was intense, though I didn’t care for the way both she and Skulls got off injury-free. It wasn’t utterly implausible, but it was a little... they did explode a couple of times after all. (I didn’t really know where to put these observations. Sore Thumb Zone it is!)

“Escape Velocity” is a bit of a step up from “The Ties That Bind,” in that the show gives us fewer WTF? moments, but then, it also seems to be an episode content to tread water. (If this were Top Chef, this episode would be taken to task at Judge’s Table for not cooking to win, but rather cooking not to lose). Thankfully, Tyrol’s scenes were winners, and while Baltar’s were fairly safe and predictable, they do keep me wanting to see more. I can’t go all the way up to 8/10, but I’ll have fun with decimals, instead.

7.7/10

“C. Shows improvement, but still not up to usual quality. I know you can do better, young lady.”

Galactica Station's Review of "The Road Less Traveled"

Well folks, from the looks of it, we are about to be thrown into the action of Season 4. “The Road Less Traveled” focused solely on the Demetrius and Baltar storylines, and although the focus made it seem slower in terms of pushing the story forward, it appeared to be preparing us for the season ahead. The episode was chock full of emotion and was very effective in displaying the reactions of every character featured. And as always, it left us with more questions than it answered.

Let’s begin with Baltar. As Season 4 began, we watched Baltar rattle around uncomfortably, trying to figure out if he was safe and if he had to remain with his lovely ladies for much longer. It seems that Baltar has always wanted two things: fame and belonging. Before the genocide of the Humans on the twelve colonies, Baltar was a famous, powerful, coveted scientist. After escaping the genocide, he was often portrayed as the guilt-ridden loser who muddled into positions that made things worse for the fleet. He continued this way until after the trial in Season 3, when he was spirited away by the mysterious women. This is classic Baltar. He stumbles into dumb luck and follows whatever path is open to him.

By the current episode, we see Baltar fully stepping into his role as a religious leader and I find myself wondering “Does he really believe what he is saying? Is it possible that he has transformed and is doing what he believes in, or is this just another way for him to seize fame, glory, and belonging? Baltar has been through a lot and has survived it all. He could be realizing, just as he said in his speech, that “someone” out there loves him. But what persuades him that it is Six’s “One True God” who is seeing him through all of his escapades? How does he know that the twelve colonial Gods do not exist? Is the Six in his head that infallible? It also baffles me as to why Baltar no longer questions his visions of the Six in his head (off topic I know). More disturbingly, he seems to have adjusted to seeing himself! Come on Baltar, do you really think that’s normal? Or are you just that special? Sure beats me.

While we’re on the subject of Gaius Baltar, I have got to mention his new wardrobe. Ladies and Gentlemen, Baltar imposes no limits on “dressing the part.” This week, he’s all decked out in a long, dark, purple robe with gold trim that appears to be made of velvet. When we first see him, he is wearing a bright blue shirt underneath the robe, making the costume even stranger. I think he should go back to the slacks and collared shirts.

Enough about Baltar’s outfit, let’s talk about Tyrol. The depth of the emotion exhibited by Tyrol in the episode is absolutely stunning. Tyrol, recently demoted to specialist for provoking Admiral Adama, appears to be feeling the full force of his wife’s death. He floats through the episode in a sort of dazed state, but we can see that he is consumed with guilt and the need to understand what had happened to Cally. When we first see him, Tyrol is jumping rope rather determinedly in his chamber. Nicky is behind him in his crib, and they are listening to Baltar speech on the radio. Tyrol stops jumping and cuts off the radio, only to receive a squeal of protest from his young son. Tyrol turns the radio back on and continues to jump, almost as if he would like to be left to his own thoughts. I was really hoping we would get to see a Nicky/Tyrol moment. Coupled with the fact that Nicky has just lost his mother and is probably too young to process it, it would have given us a glimpse of fatherhood according to Galen Tyrol. Perhaps Tyrol is too distraught to reach out to his son right now.

Later on, Tyrol interacts with Tory at the site of Cally’s death and he confides that he does not believe Cally would have killed herself. Tory takes the opportunity to manipulate Tyrol’s fears and cover her own tracks – is that chick creepy or what? It’s open to interpretation I suppose, but you can guess my feelings. Tory isn’t the only FF Tyrol talks to. In a scene that captures the depth of anger felt by Tyrol, Tyrol tells Tigh that he can’t forget things he’s done as quickly as Tigh can. Tyrol then challenges Tigh on his spending time with Caprica Six. Ouch, you do hit hard when you’re hurt, don’t you, Tyrol? On one hand, this is not something Tyrol would have said to Tigh under normal circumstances. However, he’s right; things have changed for all of them and no one is who they used to be, including Colonel Tigh.

Later, Baltar comes to speak to Tyrol and something causes Tyrol to accept his hand. Perhaps this isn’t so surprising when one considers that no one else has been shown to offer plain sympathy to Tyrol. His employees need him at work, Adama is done with him, and Tigh and Tory want him to start moving past Cally’s death. Baltar however, has nothing visible to gain from Tyrol “feeling better” and maybe something about that gets to Tyrol. However, Baltar reaching out to Tyrol is something I can’t explain. What motivates Baltar? There’s no love lost there.

On to Starbuck and the Demetrius. As the show opens, Helo walks in to find Starbuck immersed in papers. He tells her that he wishes to talk about their scheduled rendezvous with the Galactica, but Starbuck insists on another course change instead. When Helo returns to convey the directions to the rest of the crew, they are extremely unhappy. I, for one, was very pleased with how the Demetrius story was set-up and executed. You have a person under suspicion by everyone around her (Starbuck) who is being given one last chance by those who desperately want to believe her (Adama and Helo) but is given this chance to prove herself with a crew of people who could not distrust her more. And why should they? They’ve watched their families and friends die at the hands of the Cylons. So, they see Starbuck, once a hero of the fleet, who mysteriously “died” and returned and assume that she must be a cylon. Then, they are put on a ship with her away from the fleet and Galactica to follow (what they must think of as) her crazy visions. Is it any wonder that they are jumpy? Starbuck is either oblivious to or disinterested in her crew’s feelings – probably both. She is too absorbed in her maps and charts to care; after all she has to find Earth, and it is this uncaring attitude that lands her in chains at the end of the episode.

Leoben is a rare treat on Battlestar Galactica. Every time he pops up, he manages to frak with the minds of Kara and anyone else he encounters. They all want to believe he is lying but his words hold a kernel of truth that makes each character doubt him/herself. True to form, Leoben does the same on the Demetrius. When he is first brought in, Starbuck appears ready to imprison him, but stops when he makes references to Earth.

The next time we see Starbuck and Leoben, they are holding onto each other and adding to the painting that Starbuck has begun on her walls. Anders rushes in when he sees them and begins to pummel Leoben. Starbuck screams at him to stop and that Leoben knows about Earth. Helo and the guards rush in, and the guards take Leoben away with Anders following. Helo says to Kara what I had been thinking. Why was Kara listening to Leoben after all he had done to her? Kara is convinced that he can help them and the Cylons know about Earth. Ok, so we know that Kara is impulsive and crazy, but what exactly did Leoben say to her? If there’s one big problem in this episode, it’s that we have no idea what occurred between Kara and Leoben this time around. I’ve always been able to place Kara’s actions with what was happening at that moment, but this time, I’ve got nothing. Is she so desperate to find Earth that Leoben uttering the simplest detail convinced her of his sincerity? Did he give her more substantial evidence of his claim? Kara’s relationship with Leoben has always been inexplicably toxic, but at least we had more to go on in other episodes. The only thing we know is that Leoben claims that he received his information from the Hybrid and that he wants Kara to see the Hybrid. I suppose we will have to wait until next week. Darn.

Next, Anders confronts Leoben and asks him what he wants from Kara. Leoben takes the opportunity to play mind games with Anders. He alludes to the idea that Anders is more than he appears which unsettles Anders and puts him on guard. Does Leoben know Anders’ secret, or just that Anders has a secret? How much does Leoben know about the big picture? We don’t know… and he (and the BSG crew) has kept us guessing for 3 years now. Leoben then tells Anders that the Cylon are at war and the war is between “those who embrace our nature and those who fear it.” This admission is quite interesting. We know the bit about the war to be true but Anders does not; furthermore Leoben’s statement implies that the nature of a Cylon is destructive, at least from Leoben’s standpoint. Is that what all Cylons believe?

Certainly Athena may agree with Leoben. She has spent the last few years working so hard to gain acceptance by the fleet and has even gone so far as to choose humanity over the cylon. Thus, it is not a shock that Athena is the first one to suggest mutiny on the Demetrius. The crew argues back and forth about mutiny, but two things happen that ultimately lead to a decision. One, Starbuck announces that she’s decided to follow Leoben to his baseship in search of answers. The crew is alarmed that it could be an ambush and that Kara is determined to go anyway. Second, Sergeant Mathias is examining Leoben’s raider and is about to return when an explosion kills her, which angers the crew. These are the catalysts that ultimately force Helo to listen to the concerns of his crew and commit mutiny by arresting Starbuck. It’s hard to defend Starbuck. Yes, the leader of a ship should expect to be obeyed, but Starbuck is flying her own course without regard to the well-being of her crew or the dictates of those above her in rank. She brought the mutiny on herself.

In essence, “The Road Less Traveled” is incredibly impressive in showing consistency between events and characters’ reactions to them. Starbuck is singly devoted to finding Earth and all her actions are in line with that goal. The crew distrusts Starbuck for legitimate reasons and moves to commit mutiny. Helo and Anders are Starbuck’s only supporters and Helo only defects when forced to it. Leoben is as devious, manipulative, and mysterious as ever, Baltar is carrying on with his newfound path, Tory is creepy as usual, and Tyrol is full of raw grief and anger.

As said before, I think this episode would have benefited from more insight into Tyrol/Nicky, Baltar’s motivations for reaching out to Tyrol, and Leoben/Starbuck. Again, I was left with too many questions and not enough answers, but as frustrating as that can be, I have to admit that the uncertainty adds to the magic of BSG. All in all, I’m excited to see what’s in store for us, and I cannot wait to see how things play out on the next episode.

Overall, I give this episode 8 out of 10. Pretty good, but could have been better.

Galactica Station's Review of The Ties That Bind

Gooby Rastor finally moves his arse to get the review of episode 4.05 onto the blog.

A quick note: This review has been long-delayed, and I probably ought to have sourced it out when real life started bludgeoning me around the head for two weeks. All apologies for the wait, and I’ll try and do better next time. If it makes a difference, the bulk (nearly all) was written before "Escape Velocity," so it should be free of the influence of later eps. -Gooby.

Finally, the fourth season of Battlestar Galactica takes a step back from Starbuck. Not that I don’t love our girl, but jeez, Kara’s an antidote for Prozac these days. So in the interests, perhaps, of lightening the mood, “The Ties That Bind” turns from Kara to... Cally.

Good Lord. Could you all please excuse me for a minute, while I put on some Sarah McLachlan and cut myself some? Thanks. Anyway, to the story. Cally is one of those characters whom I’ve have mixed feelings about for quite some time. She’s been sort of an odd mix of a tiny, somewhat childish woman combined with moments of pure rage. And while it’s often easy to sympathize with her and her emotions, just as frequently, I’m a little freaked out by her. Not that I wanted to stare into her frozen, asphyxiated corpse eyes or anything, though. Among the most freakish moments for Cally, to my mind? When at the beginning of one two-part episode, she got her head broken by a man, and by the end of it, she was married to him. I will grant, that the editing of the show, as well as the Great Leap Forward, certainly had an effect on how creepy it came off for me; but still, one of my Life Rules has been: “Don’t marry someone who breaks your jaw.” One nice thing about TTTB (3TB?) is that Cally actually brings up how nuts it is to do just that.

But doesn’t it seem like just forever since we’ve seen Cally? I think the last time I remember seeing her was in “Dirty Hands,” right after... oh that’s it, right after she’d been shot out an airlock. Trend noted. And Adama threatened to put her against a bulkhead and shoot her. Times have been tough for the girl, yes? Still, there wasn’t much of a head’s up that things were this bad, was there? To be quite honest, I felt a little bit of difficulty getting into this episode’s main plotline, which may have something to do with my ambivalence towards Cally, or possibly my being thrown off by the surreal camera-work towards the top of the show. It seems like BSG is straying more into the land of visual trickery these days, and I for one wish they’d ease up on it a little bit. To me, one of the reasons that season 3’s Baltar subplot worked (well, to a degree anyway) was that it was such a stylistic departure for the show, from that gritty realism thing it does so well and consistently. I don’t know; am I wrong about this? Am I in the minority, wanting BSG to kinda hush up the “fiction” part of science fiction, and remain a show, essentially realistic, about hot killer robots who chase us around in our spaceships when we’re not all busy getting messages from our respective deities?

Gah, where was I? Cally. Okay, so we haven’t seen her for a while, the camera-work is distracting and she was never my favorite character. Still, I certainly had a level of interest in seeing what the show did with her, now that we know she brought a toaster to term and all. Obviously, she represents the most significant complication in the personal lives of the final four (Starbuck doesn’t count, because she and Anders are barely married at this point, and besides, she takes a back seat this episode, finally), so naturally we want to see how they use her. For me, I’ll admit that the route they chose, using her to showcase the emerging Cylon nature of one Tory Foster, surprised me, but in a good way. For all their uncertainty, the Final Four are Cylons, and it’s nice to know that at least one seems prepared to be a force for ill. They’re still the bad guys after all, if only marginally. Tory’s speech to Cally in the launch tube struck me as everything we might expect to hear from a benign Final Five, right up until she lay the super-powered smack on Cally. Even if I wasn’t 100% invested in the path there, I felt it was a good scene.

But Cally didn’t own the show. Lee’s B-plot, I’m pretty sure I’ll wind up liking more than most people, but then, I think I like Lee more than most people do. The storyline does provide an interesting perspective on Roslin’s government, and how she’s consolidating power. But what of it? What is the deal with this Executive Order; why does Roslin want secret tribunals? There’s no hint of the reason, here. If there’s a fault in this plot (and there is), it’s that it’s unclear where they’re going with this. Quo vadis, Lee Adama? Why should we care that you’re now a politician, and apparently buddying up to the other Apollo? This plot needs to go somewhere, if it’s not going to end up being just a place to stick Lee just because there’s no other place to put him.

Speaking of the crew of Demetrius, I actually don’t mind that goal (finding a place) with many of these characters, simply because they’ve had nothing to do, for so long. In particular, I refer to Helo and Gaeta. Both are good characters, and each has suffered recently from the writers not having any clue how to write for them anymore. For Mr. Gaeta, it meant that an already tertiary character drifted even more into the background, while Helo had a new job every other week on board Galactica. So I’m looking forward to them at least getting out from the same-old, and hoping this opens there characters up some more. With them are Anders—interesting, more about him in a mo’, Seelix, Hot Dog, Barolay, oh hey, that tattooed fellow! Then, some dude I don’t know, and... Athena? WHAT? Okay, now I know they didn’t take little Hera off on their adventure across the stars, so what the frak gives? Does the show even remember that it wrote in a daughter for these two? A child who, might I add, has returned to her parents from the dead and from Cylon kidnapping? Where is she? Who’s taking care of her? How in the world would these two have ever allowed her out of their sight again?

A couple of weeks ago, I complimented the show on having its characters ask the tough questions about Kara Thrace’s return, and how it meant that we the audience weren’t being expected to take it all on faith either. But here? No one is asking the questions, and I think the expectation is that we won’t, either. Well no dice, show. You wanted me to pay attention to that kid, “shape of things to come” and all, and now I am. And I’m awfully, terribly sorry that you don’t know what to do with her anymore, but tough. Failure to mention what her parents have done with her is just plain lazy, whatever else you’re trying to do.

Enough about Hera. Let’s concentrate on characters who still exist. Anders’ scenes with Kara, whom I’m becoming more concerned with by the week, were maybe the last gasp of Season 3 Starbuck. You know, the one who looks at Sam, claps her hands and says “oooh! Something to hurt!” I realized, watching the scene after, with them talking in bed, and recalling their scene at the memorial in the season opener, that I’m losing my empathy for Kara, as well. At least last season, she felt sane, or what insanity she had was caused by the visceral pain she had undergone. Now? This messianic urge of hers, which has her holding the President at gunpoint and painting on the walls, has stolen some of the humanity from Starbuck, and that’s a damn shame, because she was a beautifully human creature, from the start. Her sense of purpose, wherever it’s coming from, is now causing her to ignore the needs of the crew under her command, and it’s an open question, how long they’ll put up with it. Starbuck never had a problem bending the rules, of course, but this seems more like a case of her forgetting that the rules even exist. She doesn’t seem to care about anything much anymore, other than the chip in her brain zapping her when she doesn’t think about Earth.

But, like I say, she does spare a moment to demean poor Anders, and rattle of some identity crisis stuff that he will in no way relate to, so it’s not like she’s a total loss yet. We’ll just wait and see what awaits us and this good ship.

The Cylons storyline continues to... gah, Boomer kissing Al. Sorry, I love Dean Stockwell, truly I do, but well... I don’t like seeing “gentlemen of a certain age” kissing. Sorry if that makes me shallow. Anyway, Natalie may have fired the first shot, but Cavil seems determined to fire the last one, no? And are we to understand that all the Eights, Sixes, and Leobens (other than Caprica, Boomer, and Athena) are on the Basestars that were attacked? I didn’t really think that’s how Cylon society worked. Maybe this is a small sub-set of Cylon society, but if that’s the case, how can they decide to “un-box” an entire model? I’m confused. Normally, a bit of mystery around the Cylons, I’d call a good thing. But it just seems like the parameters of this conflict are really stretching belief.

Well, looking over what I’ve written, it seems like I didn’t care for this episode all that much. I feel like I enjoyed the episode perhaps more than my tone infers, but when I start to think about the various subplots and what their weaknesses are, the episode really doesn’t hold up that well to close scrutiny. I originally might have given this episode an eight, and I still don’t feel like this episode failed as an essentially good hour of television, but the problems do add up, and serve to bump it down, let’s say to 7/10.

Ouch, that’s a C-. But Battlestar can do much better.

Meet William Adama's dad

Source: TV Squad

Just yesterday I posted about the casting announcement for Amanda Graystone in the Battlestar Galactica prequel, Caprica. Now comes word that one of the most anticipated characters of the series has been cast.

Esai Morales, who you may know best as Lt. Rodriquez on NYPD Blue, or as Major Beck from ill-fated Jericho, has landed the role of Joseph Adama, father to William, grandfather to Lee. Joseph is described as "a man who has done a few crooked things in his life" and is one to be feared. Remember, he knows a thing or two about the law as well.

In looking back at photos of young Bill Adama from the Razor vignettes, Nico Cortez -- who plays Bill -- could easily pass as Morales's son. I wonder if we'll be treated at all to some scenes from the future of the Cylon war, where Cortez can reprise his role.

Caprica, Warehouse 13 Are Cast

Source: SciFi Wire

Paula Malcomson (Deadwood) has been cast as the female lead in Caprica, SCI FI Channel's prequel to Battlestar Galactica, while Eddie McClintock and Joanne Kelly will headline SCI FI's two-hour pilot for Warehouse 13, a comedic SF drama to be directed by Jace Alexander.

Malcomson will play Amanda, a surgeon who works as a double agent, in Caprica, which is set 50 years before the events in Battlestar. Caprica follows the evolution of the Cylon race and the fight between two families.

Warehouse centers on two FBI agents, Myka (Kelly) and Peter (McClintock), who work at the government's Warehouse 13, which houses supernatural objects. They are assigned to retrieve missing objects and investigate reports of new ones.

In a Dark Tomorrow

Boston

WASHINGTON - Now in the midst of its fourth and final season, SciFi's "Battlestar Galactica" - a tale of humans nearly destroyed by a race of machines called Cylons - is as bleak, allegorical, and groundbreaking as ever. And the stakes seem especially high, as four humans turn out to be sleeper Cylons, a pilot named Starbuck returns from the dead, and Admiral Adama, the gruff commander played by Edward James Olmos, tries more desperately than ever to find a mythical place called Earth. We caught up with Olmos on the night he received an award from CINE, an organization that promotes excellence in video and film.


Q. I'm not sure there's ever been a show on TV that's so relentlessly dark. Is it bleak on the set?

A. It is. I mean, we really do take it to heart. It is bleak. And it is getting darker. This last season has gotten to the point where we end up crying a lot. Emotional breakdowns. It's human drama. And when you perform in it, you're inside of it. A lot of people are dead. I'm not going to say who, because why ruin it for people, but a lot of us die.

Q. This season?

A. Oh, yeah. Oh, yeah. [Laughs.] Not very many of us are going make it to wherever it is that they're taking us. So we just mope along. We open the script just like the viewer. We're all taking the journey. Not only is it difficult because you lose the person inside the story, but you also realize that person is no longer going to be on the set. It's over. Unless they're a Cylon.

Q. That leads me to Starbuck's apparent death . . .

A. Oh, it was so sad. Because they didn't tell us that she was coming back. I was angry.

Q. You were snookered like everybody else?

A. Of course, I was snookered. All we know is just what we're being fed. She died, and then she was gone for awhile, and then she came back. And that was so scary because we have no idea why and how she came back.

Q. So you as an actor don't know?

A. Well, we've filmed something that started to explain it. And it's not an uplifting understanding. [Laughs.] I will say that. It's as dark as everything else. You sit there and you go, "Oh my God, you guys are sick!" They're pushing the envelope. And the network is allowing it.

Q. Has there been anything you know of that the network has not allowed?

A. In the first or second season, the whole idea of suicides was really tough for them to take. I put it in one of my programs that I directed. The idea that people aboard ships were committing suicide. Why wouldn't they? Are you kidding me? Suicide rates would have gone right through the roof.

Q. Right, because what are they living for? And the living conditions aren't pleasant.

A. Terrible. Terrible. We're eating green algae. We've been eating green algae now for almost two years.

Q. And now, it seems that anyone could be a Cylon.

A. We're back to that.

Q. If you know who the final Cylon model is, I'm sure you can't tell me . . .

A. I don't know, either. And no one knew when [the other four were revealed.] You should have seen what happened. There was anger. Real anger. The main one was Michael Hogan [who plays Colonel Tigh.] He just couldn't get past it. He said, "I didn't sign up for this kind of stuff." He was so hurt he was a Cylon.

Q. It does pull the rug out -

A. Right from under him. It changes everything. You see the way [the actors] dealt with it. The confusion, the anger that Colonel Tigh handles it with is true.

Q. Back to "Star Trek" and probably before, science fiction has had diverse, expansive casting. Is that because of the nature of the genre, or the kind of creative people who go into it?

A. I think both. One, the window is open and they allow it. And two, it's the imagination of the people that are developing it. They don't get tied down thinking about who would sell this the best. They say, "This is a reality that I'd like to explore."